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This was first published in 2000: This volume of essays explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the 13th and 14th centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. This is the first volume in the series Courtauld Institute Research Papers. The series makes available original recently researched material…mehr

Produktbeschreibung
This was first published in 2000: This volume of essays explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the 13th and 14th centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. This is the first volume in the series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.
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Autorenporträt
Joanna Cannon is a lecturer at the Courtauld Institute of Art and author, with André Vauchez, of Margherita of Cortona and the Lorenzetti. Sienese Art and the Cult of a Holy Woman in Medieval Tuscany, University Park 1998. Beth Williamson is a lecturer in the History of Art at the University of Bristol.