This book explores a corpus of Epirote architecture, frescoes, sculpture, and inscriptions from the early thirteenth to the early fourteenth century within a comparative and interdisciplinary framework, focusing on the nexus of art, patronage, and political ideology.
This book explores a corpus of Epirote architecture, frescoes, sculpture, and inscriptions from the early thirteenth to the early fourteenth century within a comparative and interdisciplinary framework, focusing on the nexus of art, patronage, and political ideology.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Leonela Fundi¿'s research focuses on Late Antique and Byzantine archaeology, art, history, and theology. She holds a doctorate in Byzantine art and history from the University of Thessaloniki, Greece. Since 2013, she has been working as a researcher and lecturer at the School of Theology and Philosophy of the Australian Catholic University. During the academic year 2017-2018, Fundi¿ was a postdoctoral fellow at the Department of Ancient History of Macquarie University, working on the Australian Research Council Discovery Project Memories of Utopia: Destroying the Past to Create the Future.
Inhaltsangabe
Introduction Chapter 1. Artistic Production and Patronage in Epirus during the Thirteenth and the Beginning of the Fourteenth Centuries Chapter 2. Art, the Memory of Constantinople, and the Formation of the Epirote Political Identity After 1204 Chapter 3. Catastrophe and the Revival of Epirus: Art and Political Ideology after the Battle at Klokotnitsa in 1230 Chapter 4. Epirus between the Palaiologoi and the Angevins during the Reign of Nikephoros Komnenos Doukas (1267 8-1297) Chapter 5. Art and Patronage in the Principality of Epirus after 1296 Conclusion Catalogue of Iconographic Programmes in Epirote Churches
Introduction / Chapter 1. Artistic Production and Patronage in Epirus during the Thirteenth and the Beginning of the Fourteenth Centuries / Chapter 2. Art, the Memory of Constantinople, and the Formation of the Epirote Political Identity After 1204 / Chapter 3. Catastrophe and the Revival of Epirus: Art and Political Ideology after the Battle at Klokotnitsa in 1230 / Chapter 4. Epirus between the Palaiologoi and the Angevins during the Reign of Nikephoros Komnenos Doukas (1267/8-1297) / Chapter 5. Art and Patronage in the Principality of Epirus after 1296 / Conclusion / Catalogue of Iconographic Programmes in Epirote Churches
Introduction Chapter 1. Artistic Production and Patronage in Epirus during the Thirteenth and the Beginning of the Fourteenth Centuries Chapter 2. Art, the Memory of Constantinople, and the Formation of the Epirote Political Identity After 1204 Chapter 3. Catastrophe and the Revival of Epirus: Art and Political Ideology after the Battle at Klokotnitsa in 1230 Chapter 4. Epirus between the Palaiologoi and the Angevins during the Reign of Nikephoros Komnenos Doukas (1267 8-1297) Chapter 5. Art and Patronage in the Principality of Epirus after 1296 Conclusion Catalogue of Iconographic Programmes in Epirote Churches
Introduction / Chapter 1. Artistic Production and Patronage in Epirus during the Thirteenth and the Beginning of the Fourteenth Centuries / Chapter 2. Art, the Memory of Constantinople, and the Formation of the Epirote Political Identity After 1204 / Chapter 3. Catastrophe and the Revival of Epirus: Art and Political Ideology after the Battle at Klokotnitsa in 1230 / Chapter 4. Epirus between the Palaiologoi and the Angevins during the Reign of Nikephoros Komnenos Doukas (1267/8-1297) / Chapter 5. Art and Patronage in the Principality of Epirus after 1296 / Conclusion / Catalogue of Iconographic Programmes in Epirote Churches
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