"This book examines a range of work that mixes two dimensions often situated at opposite ends of the cultural spectrum: contemporary arthouse cinema and the crime genre. While the 'art' of arthouse cinema implies qualities like originality, seriousness and significance, genre is often taken to suggest something more formulaic, repeated - and of lower cultural standing. The films examined straddle such dichotomies to embrace a spectrum ranging from oblique or social-realist films that touch on issues of crime to others that work firmly within crime-generic parameters while remaining distinctly different from mainstream-commercial material"--…mehr
"This book examines a range of work that mixes two dimensions often situated at opposite ends of the cultural spectrum: contemporary arthouse cinema and the crime genre. While the 'art' of arthouse cinema implies qualities like originality, seriousness and significance, genre is often taken to suggest something more formulaic, repeated - and of lower cultural standing. The films examined straddle such dichotomies to embrace a spectrum ranging from oblique or social-realist films that touch on issues of crime to others that work firmly within crime-generic parameters while remaining distinctly different from mainstream-commercial material"--
Geoff King is Emeritus Professor of Film Studies at Brunel University London, UK, and author of numerous books, including The Cinema of Discomfort: Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film (Bloomsbury, 2021), Positioning Art Cinema: Film and Cultural Value (Bloomsbury, 2019) and Quality Hollywood: Markers of Distinction in Contemporary Studio Film (Bloomsbury, 2015)
Inhaltsangabe
Introduction: Arthouse Crime Scenes 1. Setting the Scene: Art Cinema Genre Crime 2. Oblique Crimes: The Headless Woman and Neighbouring Sounds 3. 'Quality' Crime and Cultural Hybridity: Memories of Murder and The Secret in Their Eyes 4. Small-time Crime Low-key Realism: XiaoWu/Pickpocket and Police Adjective 5. Murder Truth and Humanity: Once Upon a Time in Anatolia and The Third Murder 6. Missing Presumed: Loveless and Burning 7. Robbery: The Robber Revanche and Towards a Conclusion Index
Introduction: Arthouse Crime Scenes 1. Setting the Scene: Art Cinema Genre Crime 2. Oblique Crimes: The Headless Woman and Neighbouring Sounds 3. 'Quality' Crime and Cultural Hybridity: Memories of Murder and The Secret in Their Eyes 4. Small-time Crime Low-key Realism: XiaoWu/Pickpocket and Police Adjective 5. Murder Truth and Humanity: Once Upon a Time in Anatolia and The Third Murder 6. Missing Presumed: Loveless and Burning 7. Robbery: The Robber Revanche and Towards a Conclusion Index
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