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This, the first critical biography of Arthur Morrison (1863-1945), presents his East End writing as the counter-myth to the cultural production of the East End in late-Victorian realism.
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This, the first critical biography of Arthur Morrison (1863-1945), presents his East End writing as the counter-myth to the cultural production of the East End in late-Victorian realism.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 202
- Erscheinungstermin: 21. Februar 2019
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 458g
- ISBN-13: 9780367188238
- ISBN-10: 0367188236
- Artikelnr.: 55398352
- Verlag: Taylor & Francis
- Seitenzahl: 202
- Erscheinungstermin: 21. Februar 2019
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 458g
- ISBN-13: 9780367188238
- ISBN-10: 0367188236
- Artikelnr.: 55398352
Eliza Cubitt received her BA and MA from King's College London, and was awarded a PhD from UCL in 2016. She has published work on Morrison, W. Somerset Maugham and Margaret Harkness. She has taught at UCL and at Universität Tübingen, Germany. Since 2014, she has been a committee member of the Literary London Society.
Introduction.
I. Arthur Morrison (1863-1945): An East End Writer
II. 'The Pure Fame of the Place': The Unreal Victorian Slum
III. 'Who Knows Arthur Morrison?'
IV. The Problem of Realism: Whose Reality is it Anyway?
V. The Legacy of Slum Fictions
Chapter 1. Poplar and Ratcliff
I. Arthur Morrison: 'Another Coming Man.'
II. 'The Scenes of his Wondering Childhood': 1863-1887
III. On Being Ministered To: 'A Grateful People'
IV. In Darkest Dockland and the Way Out
Chapter 2. Whitechapel
I. Writing the Victorian East End
II. 'Cockney Corners': Sketches of the East End
III. Sketches of Whitechapel, 1872-1889
Chapter 3. Mile End
I. The People's Palace: A 'possibility, a certainty and a fact.'
II. At the Palace, Looking West.
III. From Mile End to The Strand.
IV. 'Henley's Regatta'
V. The Pursuit of Happiness
Chapter 4. Limehouse and Stratford
I. 'A Street' and the reappraisal of the Slum
II. Behind the Doors: Dangerous Domesticity
III. 'Behind the Shade': Gossip and the Silenced
IV. Regions of Strange Order
V. Becoming 'them': The Reception of Tales
Chapter 5. Shoreditch, Bethnal Green and the 'Jago'
I. Father Jay and the Nichol Slum in fiction
II. Creative reconstruction: Morrison's 'Jago' and the Boundary Street
Scheme
Chapter 6. Blackwall and the Docks
I. Repenting for Realism
II. Landscapes of the Mind: Epping and Blackwall in To London Town (1899).
III. 'Romance and squalor': The Hole in the Wall (1902).
Chapter 7. Return to the East End
I. 'I foresaw a story': The Bathos of the Journalist-Narrator in Divers
Vanities (1905).
II. Heads and Tales: London and Elsewhere
III. 'I knew the place, indeed': Return to the Mean Streets
IV. The inescapable Jago: Literary Hauntings
V. 'The Story that I am to Tell Again': Folk Realism
Conclusion.
I. 'My Own Country': Rewriting the East End
II. The Duty of the Respectable: the Self-Made man of letters
III. 'Another Way Out': "The Farthest East"
IV. Afterwords: 'To correct your recollections...'
V. 'Well now, Arthur Morrison, how to put into words?'
I. Arthur Morrison (1863-1945): An East End Writer
II. 'The Pure Fame of the Place': The Unreal Victorian Slum
III. 'Who Knows Arthur Morrison?'
IV. The Problem of Realism: Whose Reality is it Anyway?
V. The Legacy of Slum Fictions
Chapter 1. Poplar and Ratcliff
I. Arthur Morrison: 'Another Coming Man.'
II. 'The Scenes of his Wondering Childhood': 1863-1887
III. On Being Ministered To: 'A Grateful People'
IV. In Darkest Dockland and the Way Out
Chapter 2. Whitechapel
I. Writing the Victorian East End
II. 'Cockney Corners': Sketches of the East End
III. Sketches of Whitechapel, 1872-1889
Chapter 3. Mile End
I. The People's Palace: A 'possibility, a certainty and a fact.'
II. At the Palace, Looking West.
III. From Mile End to The Strand.
IV. 'Henley's Regatta'
V. The Pursuit of Happiness
Chapter 4. Limehouse and Stratford
I. 'A Street' and the reappraisal of the Slum
II. Behind the Doors: Dangerous Domesticity
III. 'Behind the Shade': Gossip and the Silenced
IV. Regions of Strange Order
V. Becoming 'them': The Reception of Tales
Chapter 5. Shoreditch, Bethnal Green and the 'Jago'
I. Father Jay and the Nichol Slum in fiction
II. Creative reconstruction: Morrison's 'Jago' and the Boundary Street
Scheme
Chapter 6. Blackwall and the Docks
I. Repenting for Realism
II. Landscapes of the Mind: Epping and Blackwall in To London Town (1899).
III. 'Romance and squalor': The Hole in the Wall (1902).
Chapter 7. Return to the East End
I. 'I foresaw a story': The Bathos of the Journalist-Narrator in Divers
Vanities (1905).
II. Heads and Tales: London and Elsewhere
III. 'I knew the place, indeed': Return to the Mean Streets
IV. The inescapable Jago: Literary Hauntings
V. 'The Story that I am to Tell Again': Folk Realism
Conclusion.
I. 'My Own Country': Rewriting the East End
II. The Duty of the Respectable: the Self-Made man of letters
III. 'Another Way Out': "The Farthest East"
IV. Afterwords: 'To correct your recollections...'
V. 'Well now, Arthur Morrison, how to put into words?'
Introduction.
I. Arthur Morrison (1863-1945): An East End Writer
II. 'The Pure Fame of the Place': The Unreal Victorian Slum
III. 'Who Knows Arthur Morrison?'
IV. The Problem of Realism: Whose Reality is it Anyway?
V. The Legacy of Slum Fictions
Chapter 1. Poplar and Ratcliff
I. Arthur Morrison: 'Another Coming Man.'
II. 'The Scenes of his Wondering Childhood': 1863-1887
III. On Being Ministered To: 'A Grateful People'
IV. In Darkest Dockland and the Way Out
Chapter 2. Whitechapel
I. Writing the Victorian East End
II. 'Cockney Corners': Sketches of the East End
III. Sketches of Whitechapel, 1872-1889
Chapter 3. Mile End
I. The People's Palace: A 'possibility, a certainty and a fact.'
II. At the Palace, Looking West.
III. From Mile End to The Strand.
IV. 'Henley's Regatta'
V. The Pursuit of Happiness
Chapter 4. Limehouse and Stratford
I. 'A Street' and the reappraisal of the Slum
II. Behind the Doors: Dangerous Domesticity
III. 'Behind the Shade': Gossip and the Silenced
IV. Regions of Strange Order
V. Becoming 'them': The Reception of Tales
Chapter 5. Shoreditch, Bethnal Green and the 'Jago'
I. Father Jay and the Nichol Slum in fiction
II. Creative reconstruction: Morrison's 'Jago' and the Boundary Street
Scheme
Chapter 6. Blackwall and the Docks
I. Repenting for Realism
II. Landscapes of the Mind: Epping and Blackwall in To London Town (1899).
III. 'Romance and squalor': The Hole in the Wall (1902).
Chapter 7. Return to the East End
I. 'I foresaw a story': The Bathos of the Journalist-Narrator in Divers
Vanities (1905).
II. Heads and Tales: London and Elsewhere
III. 'I knew the place, indeed': Return to the Mean Streets
IV. The inescapable Jago: Literary Hauntings
V. 'The Story that I am to Tell Again': Folk Realism
Conclusion.
I. 'My Own Country': Rewriting the East End
II. The Duty of the Respectable: the Self-Made man of letters
III. 'Another Way Out': "The Farthest East"
IV. Afterwords: 'To correct your recollections...'
V. 'Well now, Arthur Morrison, how to put into words?'
I. Arthur Morrison (1863-1945): An East End Writer
II. 'The Pure Fame of the Place': The Unreal Victorian Slum
III. 'Who Knows Arthur Morrison?'
IV. The Problem of Realism: Whose Reality is it Anyway?
V. The Legacy of Slum Fictions
Chapter 1. Poplar and Ratcliff
I. Arthur Morrison: 'Another Coming Man.'
II. 'The Scenes of his Wondering Childhood': 1863-1887
III. On Being Ministered To: 'A Grateful People'
IV. In Darkest Dockland and the Way Out
Chapter 2. Whitechapel
I. Writing the Victorian East End
II. 'Cockney Corners': Sketches of the East End
III. Sketches of Whitechapel, 1872-1889
Chapter 3. Mile End
I. The People's Palace: A 'possibility, a certainty and a fact.'
II. At the Palace, Looking West.
III. From Mile End to The Strand.
IV. 'Henley's Regatta'
V. The Pursuit of Happiness
Chapter 4. Limehouse and Stratford
I. 'A Street' and the reappraisal of the Slum
II. Behind the Doors: Dangerous Domesticity
III. 'Behind the Shade': Gossip and the Silenced
IV. Regions of Strange Order
V. Becoming 'them': The Reception of Tales
Chapter 5. Shoreditch, Bethnal Green and the 'Jago'
I. Father Jay and the Nichol Slum in fiction
II. Creative reconstruction: Morrison's 'Jago' and the Boundary Street
Scheme
Chapter 6. Blackwall and the Docks
I. Repenting for Realism
II. Landscapes of the Mind: Epping and Blackwall in To London Town (1899).
III. 'Romance and squalor': The Hole in the Wall (1902).
Chapter 7. Return to the East End
I. 'I foresaw a story': The Bathos of the Journalist-Narrator in Divers
Vanities (1905).
II. Heads and Tales: London and Elsewhere
III. 'I knew the place, indeed': Return to the Mean Streets
IV. The inescapable Jago: Literary Hauntings
V. 'The Story that I am to Tell Again': Folk Realism
Conclusion.
I. 'My Own Country': Rewriting the East End
II. The Duty of the Respectable: the Self-Made man of letters
III. 'Another Way Out': "The Farthest East"
IV. Afterwords: 'To correct your recollections...'
V. 'Well now, Arthur Morrison, how to put into words?'