Introduction: The Tournament at Mapplemalleoré: Malory at 550 Cory James Rushton 1. Malory and the Stock Phrase Joyce Coleman 2. The Artistry of Malory's Mercantile Metaphors: Good, Generosity, and the Source of 'The Tale of Sir Gareth' Megan G. Leitch 3. 'A grete bourder and a passynge good night': Sir Dinadan: 'Gareth with a Twist' David F. Johnson 4. Moonlight in the Nocturnal Typology of Malory's Morte Darthur Michael W. Twomey 5. 'That shall nat ye know for me as at nighty': Cognitive Narratology and Filling Malory's Gaps Cathy Hume 6. 'On a tyme': Action and Temporality in Malory's 'Sankgreal' Andrew Lynch 7. Hospitality in Malory Elizabeth Edwards 8. The Haunting of the Orkneys and Malory's Arthurian Project Molly A. Martin 9. 'I love nat to be constreyned to love': Launcelot and Coerced Sex Kristina Hildebrand 10. Eradicating Victorian Backreading: Re-reading Malory's Gwenyvere through Gaynour and Isode Fiona Tolhurst
Introduction: The Tournament at Mapplemalleoré: Malory at 550 Cory James Rushton 1. Malory and the Stock Phrase Joyce Coleman 2. The Artistry of Malory's Mercantile Metaphors: Good, Generosity, and the Source of 'The Tale of Sir Gareth' Megan G. Leitch 3. 'A grete bourder and a passynge good night': Sir Dinadan: 'Gareth with a Twist' David F. Johnson 4. Moonlight in the Nocturnal Typology of Malory's Morte Darthur Michael W. Twomey 5. 'That shall nat ye know for me as at nighty': Cognitive Narratology and Filling Malory's Gaps Cathy Hume 6. 'On a tyme': Action and Temporality in Malory's 'Sankgreal' Andrew Lynch 7. Hospitality in Malory Elizabeth Edwards 8. The Haunting of the Orkneys and Malory's Arthurian Project Molly A. Martin 9. 'I love nat to be constreyned to love': Launcelot and Coerced Sex Kristina Hildebrand 10. Eradicating Victorian Backreading: Re-reading Malory's Gwenyvere through Gaynour and Isode Fiona Tolhurst
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