Terence Grieder
Artist and Audience
Terence Grieder
Artist and Audience
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Prepare your students to be intelligent participants in art with "Artist and Audience," Author Terence Grieder gives your students a taste of the world of art in the opening chapter before moving into the various elements and media. Part V offers a historical survey of world art in which students learn to appreciate the various styles as they appeared across the globe and throughout history.
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Prepare your students to be intelligent participants in art with "Artist and Audience," Author Terence Grieder gives your students a taste of the world of art in the opening chapter before moving into the various elements and media. Part V offers a historical survey of world art in which students learn to appreciate the various styles as they appeared across the globe and throughout history.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: McGraw Hill LLC
- Revised
- Seitenzahl: 512
- Erscheinungstermin: Juli 1996
- Englisch
- Abmessung: 280mm x 217mm x 23mm
- Gewicht: 1261g
- ISBN-13: 9780697286925
- ISBN-10: 0697286924
- Artikelnr.: 21940862
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: McGraw Hill LLC
- Revised
- Seitenzahl: 512
- Erscheinungstermin: Juli 1996
- Englisch
- Abmessung: 280mm x 217mm x 23mm
- Gewicht: 1261g
- ISBN-13: 9780697286925
- ISBN-10: 0697286924
- Artikelnr.: 21940862
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Part I Communicating in a World of Art 1 Art Worlds Roles in the Art World
The Artist The Art Dealer The Patron and the Collector The Critic and the
Art Historian The Audience Two Case Histories The Vietnam Memorial The
Rockefeller Center Mural Art Museums 2 Interpreting Works of Art The
Traditional Subjects of Art Portraits of Individuals The Still Life The
Nude Figure The Landscape The Divine Powers Abstract Art Part II Analyzing
Works of Art 3 The Elements of Art Line Some Uses of Line in Sculpture
Shape Value Color Texture Mass and Space Sculptural Mass and Space
Illusions of Mass and Space Size and Scale Four Systems of Perspective Time
and Movement 4 Understanding Design Unity Variety Balance Rhythm Emphasis
Proportion The Golden Mean The Canon of Human Proportions Intuitive
Proportions Composing Designs The Circle and the Square The Triangle The
Problem of Style Part III Art Media 5 The Graphic Media Drawing The Sketch,
the Study, and the Finished Drawing The Tools and Materials of Drawing
Printmaking Relief Prints: Woodcut and Linocut Intaglio Prints: Engraving
and Etching Lithography Serigraphy Photographic and Computer Arts
Photography Color Photography Cinema Video Digital Photography and Computer
Graphics Virtual Reality Originality and Truth 6 Painting Fresco
Michelangelos Sistine Chapel Ceiling Orozcos Caba as Orphanage Watercolor
Tempera Oil Painting Acrylic Painting 7 Sculpture Relief and Round
Traditional Materials and Techniques Carving Modeling Casting The Materials
and Techniques of 20th-century Sculpture Construction in Hard Materials
Construction in Soft Materials Site Specific and Environmental Sculpture
Sculpture Based on Energy Designing New Forms for the Human Body Part IV
Architecture and Applied Design 8 Styles and Structures in Architecture and
the Environment Building with Beams The Post and Lintel System The
Cantilever The Truss Classical Architecture Building with Blocks The Arch
The Vault The Dome Gothic Architecture The Renaissance Dome Sirigu Chana
The Design of Cities The Ancient City The Traditional City The Modern City
Modern Architecture Frank Lloyd Wright Le Corbusier Recent Trends in
Architecture 9 Design Applications The Architectural Interior The Palace of
Versailles and French Design The Bauhaus Recent Furniture and Interiors
Textiles and Clothing Ancient Greek Clothing An Ancient Textile Industry in
Peru European Clothing of the 16th to 19th Centuries Modern Dress Three
Technologies of Fire Ceramics Glass Metal Design in Motion Part V
Recognizing the Great Styles 10 Ancient Styles The Stone Age Art in the
Early Cities Mesopoamia Egypt The Maya The Classical Styles of Greece and
Rome Greece Hellenistic Art, 330-30 B.C The Roman Empire 11 Styles of the
Middle Ages: 400-1400 Christian Styles of Europe Byzantine Art Western
European Art The Art of Islam The Art of Africa Art in China 12 Styles of
the Colombian Age: 15th-18th Centuries The Renaissance in Italy Artists and
Patrons The Artists The Audience and the Critics Subjects Three Phases of
Renaissance Style Venice in the 1500s The Renaissance in Northern Europe
Realism and Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the
Rock: Art in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen
Buddhism European Art from 1600 to 1750 Baroque Style Rococco Style 13
Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art:
1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the
Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the
Irrational Realism: Nothing but the Truth Courbet and Millet An
International Movement Manet and the Foundations of Modernism Impressionism
Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure
Post-Impressionism Seurat and Pointillism Cezanne Van Gough and
Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris:
1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late
20th-century Globalism New York as an International Center Abstract
Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism
The Shamans Globalism References Suggested Reading Glossary culpture Based
on Energy Designing New Forms for the Human Body Part IV Architecture and
Applied Design 8 Styles and Structures in Architecture and the Environment
Building with Beams The Post and Lintel System The Cantilever The Truss
Classical Architecture Building with Blocks The Arch The Vault The Dome
Gothic Architecture The Renaissance Dome Sirigu Chana The Design of Cities
The Ancient City The Traditional City The Modern City Modern Architecture
Frank Lloyd Wright Le Corbusier Recent Trends in Architecture 9 Design
Applications The Architectural Interior The Palace of Versailles and French
Design The Bauhaus Recent Furniture and Interiors Textiles and Clothing
Ancient Greek Clothing An Ancient Textile Industry in Peru European
Clothing of the 16th to 19th Centuries Modern Dress Three Technologies of
Fire Ceramics Glass Metal Design in Motion Part V Recognizing the Great
Styles 10 Ancient Styles The Stone Age Art in the Early Cities Mesopoamia
Egypt The Maya The Classical Styles of Greece and Rome Greece Hellenistic
Art, 330-30 B.C The Roman Empire 11 Styles of the Middle Ages: 400-1400
Christian Styles of Europe Byzantine Art Western European Art The Art of
Islam The Art of Africa Art in China 12 Styles of the Colombian Age:
15th-18th Centuries The Renaissance in Italy Artists and Patrons The
Artists The Audience and the Critics Subjects Three Phases of Renaissance
Style Venice in the 1500s The Renaissance in Northern Europe Realism and
Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the Rock: Art
in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen Buddhism
European Art from 1600 to 1750 Baroque Style Rococco Style 13
Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art:
1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the
Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the
Irrational Realism: Nothing but the Truth Courbet and Millet An
International Movement Manet and the Foundations of Modernism Impressionism
Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure
Post-Impressionism Seurat and Pointillism Cezanne Van Gough and
Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris:
1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late
20th-century Globalism New York as an International Center Abstract
Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism
The Shamans Globalism References Suggested Reading Glossary
The Artist The Art Dealer The Patron and the Collector The Critic and the
Art Historian The Audience Two Case Histories The Vietnam Memorial The
Rockefeller Center Mural Art Museums 2 Interpreting Works of Art The
Traditional Subjects of Art Portraits of Individuals The Still Life The
Nude Figure The Landscape The Divine Powers Abstract Art Part II Analyzing
Works of Art 3 The Elements of Art Line Some Uses of Line in Sculpture
Shape Value Color Texture Mass and Space Sculptural Mass and Space
Illusions of Mass and Space Size and Scale Four Systems of Perspective Time
and Movement 4 Understanding Design Unity Variety Balance Rhythm Emphasis
Proportion The Golden Mean The Canon of Human Proportions Intuitive
Proportions Composing Designs The Circle and the Square The Triangle The
Problem of Style Part III Art Media 5 The Graphic Media Drawing The Sketch,
the Study, and the Finished Drawing The Tools and Materials of Drawing
Printmaking Relief Prints: Woodcut and Linocut Intaglio Prints: Engraving
and Etching Lithography Serigraphy Photographic and Computer Arts
Photography Color Photography Cinema Video Digital Photography and Computer
Graphics Virtual Reality Originality and Truth 6 Painting Fresco
Michelangelos Sistine Chapel Ceiling Orozcos Caba as Orphanage Watercolor
Tempera Oil Painting Acrylic Painting 7 Sculpture Relief and Round
Traditional Materials and Techniques Carving Modeling Casting The Materials
and Techniques of 20th-century Sculpture Construction in Hard Materials
Construction in Soft Materials Site Specific and Environmental Sculpture
Sculpture Based on Energy Designing New Forms for the Human Body Part IV
Architecture and Applied Design 8 Styles and Structures in Architecture and
the Environment Building with Beams The Post and Lintel System The
Cantilever The Truss Classical Architecture Building with Blocks The Arch
The Vault The Dome Gothic Architecture The Renaissance Dome Sirigu Chana
The Design of Cities The Ancient City The Traditional City The Modern City
Modern Architecture Frank Lloyd Wright Le Corbusier Recent Trends in
Architecture 9 Design Applications The Architectural Interior The Palace of
Versailles and French Design The Bauhaus Recent Furniture and Interiors
Textiles and Clothing Ancient Greek Clothing An Ancient Textile Industry in
Peru European Clothing of the 16th to 19th Centuries Modern Dress Three
Technologies of Fire Ceramics Glass Metal Design in Motion Part V
Recognizing the Great Styles 10 Ancient Styles The Stone Age Art in the
Early Cities Mesopoamia Egypt The Maya The Classical Styles of Greece and
Rome Greece Hellenistic Art, 330-30 B.C The Roman Empire 11 Styles of the
Middle Ages: 400-1400 Christian Styles of Europe Byzantine Art Western
European Art The Art of Islam The Art of Africa Art in China 12 Styles of
the Colombian Age: 15th-18th Centuries The Renaissance in Italy Artists and
Patrons The Artists The Audience and the Critics Subjects Three Phases of
Renaissance Style Venice in the 1500s The Renaissance in Northern Europe
Realism and Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the
Rock: Art in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen
Buddhism European Art from 1600 to 1750 Baroque Style Rococco Style 13
Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art:
1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the
Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the
Irrational Realism: Nothing but the Truth Courbet and Millet An
International Movement Manet and the Foundations of Modernism Impressionism
Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure
Post-Impressionism Seurat and Pointillism Cezanne Van Gough and
Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris:
1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late
20th-century Globalism New York as an International Center Abstract
Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism
The Shamans Globalism References Suggested Reading Glossary culpture Based
on Energy Designing New Forms for the Human Body Part IV Architecture and
Applied Design 8 Styles and Structures in Architecture and the Environment
Building with Beams The Post and Lintel System The Cantilever The Truss
Classical Architecture Building with Blocks The Arch The Vault The Dome
Gothic Architecture The Renaissance Dome Sirigu Chana The Design of Cities
The Ancient City The Traditional City The Modern City Modern Architecture
Frank Lloyd Wright Le Corbusier Recent Trends in Architecture 9 Design
Applications The Architectural Interior The Palace of Versailles and French
Design The Bauhaus Recent Furniture and Interiors Textiles and Clothing
Ancient Greek Clothing An Ancient Textile Industry in Peru European
Clothing of the 16th to 19th Centuries Modern Dress Three Technologies of
Fire Ceramics Glass Metal Design in Motion Part V Recognizing the Great
Styles 10 Ancient Styles The Stone Age Art in the Early Cities Mesopoamia
Egypt The Maya The Classical Styles of Greece and Rome Greece Hellenistic
Art, 330-30 B.C The Roman Empire 11 Styles of the Middle Ages: 400-1400
Christian Styles of Europe Byzantine Art Western European Art The Art of
Islam The Art of Africa Art in China 12 Styles of the Colombian Age:
15th-18th Centuries The Renaissance in Italy Artists and Patrons The
Artists The Audience and the Critics Subjects Three Phases of Renaissance
Style Venice in the 1500s The Renaissance in Northern Europe Realism and
Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the Rock: Art
in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen Buddhism
European Art from 1600 to 1750 Baroque Style Rococco Style 13
Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art:
1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the
Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the
Irrational Realism: Nothing but the Truth Courbet and Millet An
International Movement Manet and the Foundations of Modernism Impressionism
Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure
Post-Impressionism Seurat and Pointillism Cezanne Van Gough and
Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris:
1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late
20th-century Globalism New York as an International Center Abstract
Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism
The Shamans Globalism References Suggested Reading Glossary
Part I Communicating in a World of Art 1 Art Worlds Roles in the Art World
The Artist The Art Dealer The Patron and the Collector The Critic and the
Art Historian The Audience Two Case Histories The Vietnam Memorial The
Rockefeller Center Mural Art Museums 2 Interpreting Works of Art The
Traditional Subjects of Art Portraits of Individuals The Still Life The
Nude Figure The Landscape The Divine Powers Abstract Art Part II Analyzing
Works of Art 3 The Elements of Art Line Some Uses of Line in Sculpture
Shape Value Color Texture Mass and Space Sculptural Mass and Space
Illusions of Mass and Space Size and Scale Four Systems of Perspective Time
and Movement 4 Understanding Design Unity Variety Balance Rhythm Emphasis
Proportion The Golden Mean The Canon of Human Proportions Intuitive
Proportions Composing Designs The Circle and the Square The Triangle The
Problem of Style Part III Art Media 5 The Graphic Media Drawing The Sketch,
the Study, and the Finished Drawing The Tools and Materials of Drawing
Printmaking Relief Prints: Woodcut and Linocut Intaglio Prints: Engraving
and Etching Lithography Serigraphy Photographic and Computer Arts
Photography Color Photography Cinema Video Digital Photography and Computer
Graphics Virtual Reality Originality and Truth 6 Painting Fresco
Michelangelos Sistine Chapel Ceiling Orozcos Caba as Orphanage Watercolor
Tempera Oil Painting Acrylic Painting 7 Sculpture Relief and Round
Traditional Materials and Techniques Carving Modeling Casting The Materials
and Techniques of 20th-century Sculpture Construction in Hard Materials
Construction in Soft Materials Site Specific and Environmental Sculpture
Sculpture Based on Energy Designing New Forms for the Human Body Part IV
Architecture and Applied Design 8 Styles and Structures in Architecture and
the Environment Building with Beams The Post and Lintel System The
Cantilever The Truss Classical Architecture Building with Blocks The Arch
The Vault The Dome Gothic Architecture The Renaissance Dome Sirigu Chana
The Design of Cities The Ancient City The Traditional City The Modern City
Modern Architecture Frank Lloyd Wright Le Corbusier Recent Trends in
Architecture 9 Design Applications The Architectural Interior The Palace of
Versailles and French Design The Bauhaus Recent Furniture and Interiors
Textiles and Clothing Ancient Greek Clothing An Ancient Textile Industry in
Peru European Clothing of the 16th to 19th Centuries Modern Dress Three
Technologies of Fire Ceramics Glass Metal Design in Motion Part V
Recognizing the Great Styles 10 Ancient Styles The Stone Age Art in the
Early Cities Mesopoamia Egypt The Maya The Classical Styles of Greece and
Rome Greece Hellenistic Art, 330-30 B.C The Roman Empire 11 Styles of the
Middle Ages: 400-1400 Christian Styles of Europe Byzantine Art Western
European Art The Art of Islam The Art of Africa Art in China 12 Styles of
the Colombian Age: 15th-18th Centuries The Renaissance in Italy Artists and
Patrons The Artists The Audience and the Critics Subjects Three Phases of
Renaissance Style Venice in the 1500s The Renaissance in Northern Europe
Realism and Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the
Rock: Art in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen
Buddhism European Art from 1600 to 1750 Baroque Style Rococco Style 13
Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art:
1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the
Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the
Irrational Realism: Nothing but the Truth Courbet and Millet An
International Movement Manet and the Foundations of Modernism Impressionism
Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure
Post-Impressionism Seurat and Pointillism Cezanne Van Gough and
Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris:
1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late
20th-century Globalism New York as an International Center Abstract
Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism
The Shamans Globalism References Suggested Reading Glossary culpture Based
on Energy Designing New Forms for the Human Body Part IV Architecture and
Applied Design 8 Styles and Structures in Architecture and the Environment
Building with Beams The Post and Lintel System The Cantilever The Truss
Classical Architecture Building with Blocks The Arch The Vault The Dome
Gothic Architecture The Renaissance Dome Sirigu Chana The Design of Cities
The Ancient City The Traditional City The Modern City Modern Architecture
Frank Lloyd Wright Le Corbusier Recent Trends in Architecture 9 Design
Applications The Architectural Interior The Palace of Versailles and French
Design The Bauhaus Recent Furniture and Interiors Textiles and Clothing
Ancient Greek Clothing An Ancient Textile Industry in Peru European
Clothing of the 16th to 19th Centuries Modern Dress Three Technologies of
Fire Ceramics Glass Metal Design in Motion Part V Recognizing the Great
Styles 10 Ancient Styles The Stone Age Art in the Early Cities Mesopoamia
Egypt The Maya The Classical Styles of Greece and Rome Greece Hellenistic
Art, 330-30 B.C The Roman Empire 11 Styles of the Middle Ages: 400-1400
Christian Styles of Europe Byzantine Art Western European Art The Art of
Islam The Art of Africa Art in China 12 Styles of the Colombian Age:
15th-18th Centuries The Renaissance in Italy Artists and Patrons The
Artists The Audience and the Critics Subjects Three Phases of Renaissance
Style Venice in the 1500s The Renaissance in Northern Europe Realism and
Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the Rock: Art
in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen Buddhism
European Art from 1600 to 1750 Baroque Style Rococco Style 13
Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art:
1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the
Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the
Irrational Realism: Nothing but the Truth Courbet and Millet An
International Movement Manet and the Foundations of Modernism Impressionism
Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure
Post-Impressionism Seurat and Pointillism Cezanne Van Gough and
Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris:
1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late
20th-century Globalism New York as an International Center Abstract
Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism
The Shamans Globalism References Suggested Reading Glossary
The Artist The Art Dealer The Patron and the Collector The Critic and the
Art Historian The Audience Two Case Histories The Vietnam Memorial The
Rockefeller Center Mural Art Museums 2 Interpreting Works of Art The
Traditional Subjects of Art Portraits of Individuals The Still Life The
Nude Figure The Landscape The Divine Powers Abstract Art Part II Analyzing
Works of Art 3 The Elements of Art Line Some Uses of Line in Sculpture
Shape Value Color Texture Mass and Space Sculptural Mass and Space
Illusions of Mass and Space Size and Scale Four Systems of Perspective Time
and Movement 4 Understanding Design Unity Variety Balance Rhythm Emphasis
Proportion The Golden Mean The Canon of Human Proportions Intuitive
Proportions Composing Designs The Circle and the Square The Triangle The
Problem of Style Part III Art Media 5 The Graphic Media Drawing The Sketch,
the Study, and the Finished Drawing The Tools and Materials of Drawing
Printmaking Relief Prints: Woodcut and Linocut Intaglio Prints: Engraving
and Etching Lithography Serigraphy Photographic and Computer Arts
Photography Color Photography Cinema Video Digital Photography and Computer
Graphics Virtual Reality Originality and Truth 6 Painting Fresco
Michelangelos Sistine Chapel Ceiling Orozcos Caba as Orphanage Watercolor
Tempera Oil Painting Acrylic Painting 7 Sculpture Relief and Round
Traditional Materials and Techniques Carving Modeling Casting The Materials
and Techniques of 20th-century Sculpture Construction in Hard Materials
Construction in Soft Materials Site Specific and Environmental Sculpture
Sculpture Based on Energy Designing New Forms for the Human Body Part IV
Architecture and Applied Design 8 Styles and Structures in Architecture and
the Environment Building with Beams The Post and Lintel System The
Cantilever The Truss Classical Architecture Building with Blocks The Arch
The Vault The Dome Gothic Architecture The Renaissance Dome Sirigu Chana
The Design of Cities The Ancient City The Traditional City The Modern City
Modern Architecture Frank Lloyd Wright Le Corbusier Recent Trends in
Architecture 9 Design Applications The Architectural Interior The Palace of
Versailles and French Design The Bauhaus Recent Furniture and Interiors
Textiles and Clothing Ancient Greek Clothing An Ancient Textile Industry in
Peru European Clothing of the 16th to 19th Centuries Modern Dress Three
Technologies of Fire Ceramics Glass Metal Design in Motion Part V
Recognizing the Great Styles 10 Ancient Styles The Stone Age Art in the
Early Cities Mesopoamia Egypt The Maya The Classical Styles of Greece and
Rome Greece Hellenistic Art, 330-30 B.C The Roman Empire 11 Styles of the
Middle Ages: 400-1400 Christian Styles of Europe Byzantine Art Western
European Art The Art of Islam The Art of Africa Art in China 12 Styles of
the Colombian Age: 15th-18th Centuries The Renaissance in Italy Artists and
Patrons The Artists The Audience and the Critics Subjects Three Phases of
Renaissance Style Venice in the 1500s The Renaissance in Northern Europe
Realism and Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the
Rock: Art in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen
Buddhism European Art from 1600 to 1750 Baroque Style Rococco Style 13
Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art:
1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the
Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the
Irrational Realism: Nothing but the Truth Courbet and Millet An
International Movement Manet and the Foundations of Modernism Impressionism
Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure
Post-Impressionism Seurat and Pointillism Cezanne Van Gough and
Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris:
1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late
20th-century Globalism New York as an International Center Abstract
Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism
The Shamans Globalism References Suggested Reading Glossary culpture Based
on Energy Designing New Forms for the Human Body Part IV Architecture and
Applied Design 8 Styles and Structures in Architecture and the Environment
Building with Beams The Post and Lintel System The Cantilever The Truss
Classical Architecture Building with Blocks The Arch The Vault The Dome
Gothic Architecture The Renaissance Dome Sirigu Chana The Design of Cities
The Ancient City The Traditional City The Modern City Modern Architecture
Frank Lloyd Wright Le Corbusier Recent Trends in Architecture 9 Design
Applications The Architectural Interior The Palace of Versailles and French
Design The Bauhaus Recent Furniture and Interiors Textiles and Clothing
Ancient Greek Clothing An Ancient Textile Industry in Peru European
Clothing of the 16th to 19th Centuries Modern Dress Three Technologies of
Fire Ceramics Glass Metal Design in Motion Part V Recognizing the Great
Styles 10 Ancient Styles The Stone Age Art in the Early Cities Mesopoamia
Egypt The Maya The Classical Styles of Greece and Rome Greece Hellenistic
Art, 330-30 B.C The Roman Empire 11 Styles of the Middle Ages: 400-1400
Christian Styles of Europe Byzantine Art Western European Art The Art of
Islam The Art of Africa Art in China 12 Styles of the Colombian Age:
15th-18th Centuries The Renaissance in Italy Artists and Patrons The
Artists The Audience and the Critics Subjects Three Phases of Renaissance
Style Venice in the 1500s The Renaissance in Northern Europe Realism and
Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the Rock: Art
in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen Buddhism
European Art from 1600 to 1750 Baroque Style Rococco Style 13
Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art:
1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the
Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the
Irrational Realism: Nothing but the Truth Courbet and Millet An
International Movement Manet and the Foundations of Modernism Impressionism
Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure
Post-Impressionism Seurat and Pointillism Cezanne Van Gough and
Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris:
1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late
20th-century Globalism New York as an International Center Abstract
Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism
The Shamans Globalism References Suggested Reading Glossary