Artistic Bedfellows
Histories, Theories and Conversations in Collaborative Art Practices
Herausgeber: Crawford, Holly
Artistic Bedfellows
Histories, Theories and Conversations in Collaborative Art Practices
Herausgeber: Crawford, Holly
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This is a collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. It examines the field broadly, while asking specific questions with regard to issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration.
This is a collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. It examines the field broadly, while asking specific questions with regard to issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration.
Produktdetails
- Produktdetails
- Verlag: University Press of America
- Seitenzahl: 356
- Erscheinungstermin: 17. September 2008
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 578g
- ISBN-13: 9780761840640
- ISBN-10: 0761840648
- Artikelnr.: 24927057
- Verlag: University Press of America
- Seitenzahl: 356
- Erscheinungstermin: 17. September 2008
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 578g
- ISBN-13: 9780761840640
- ISBN-10: 0761840648
- Artikelnr.: 24927057
Holly Crawford, (Ph.D.), is an artist and art historian. She is the Director of AC Institute, a nonprofit organization for research in contemporary art.
Chapter 1 1. The Decoration of the Paris Panthéon by Paul Chenavard-A
Particular Brotherhood Chapter 2 2. The Calling of Two Creatures:
Depression-era Collaboration and a Theory of Camera and Pen Chapter 3 3.
Creative Occupation: Collaborative Artistic Practices in Europe 1937-1943
Chapter 4 4. Collaborative Practices in Environmental Art Chapter 5 5.
Concepts of Collaborative Art in the Divided Germany of the 1960s Chapter 6
6. "Avant-femme" or Futuristic Frauen: Collaborative Art by Women in the
German Democratic Republic Chapter 7 7. The Second Self Chapter 8 8.
"Encompassing Unboundness": Desire and Collaborative Authorship in Carla
Harryman and Lyn Hejinian's "The Wide Road" Chapter 9 9. An Easy Alliance:
A Dialogue on Methodology Chapter 10 10. Learning from Robert Venturi and
Denise Scott Brown Chapter 11 11. Languages of Innovation Chapter 12 12.
Working Together Chapter 13 13. Ken Friedman: A Life in Fluxus Chapter 14
14. Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman and Disney
Chapter 15 15. The Ivory Towers Were Always Connected: Interdisciplinary
Dia(b)logues as Challenge and Choice Chapter 16 16. Socially Engaged Art,
Critics, and Discontents: Interview with Claire Bishop Chapter 17 17.
"Detrimental to the Interests of the United States": Cuban Artists (Not) in
Residence Chapter 18 18. Suzanne Lacy: Oakland Projects Chapter 19 19.
Simonides in the Machine: The Art of Virtual Memory in a Pentagon-funded
Initiative Chapter 20 20. Locating a Temporary Common Space: Cultural
Exchanges in Weedpatch Chapter 21 21. "Sometimes I'm Harvey Weinstein;
Sometimes I'm Wes Craven. The Same Goes For My Brother." The Neistat
Brothers Chapter 22 22. Having Their Cake and Eating it Too: The Case of
Christo's (and Jeanne-Claude's) Im(permanence) and Exclusivity Chapter 23
23. The Wu-wei of the 21st Century Art of Collaboration Chapter 24 24. What
is Conversational Music or "Convers"? Chapter 25 25. Some Thoughts on
Collaboration Chapter 26 26. The Electron Buddy System Chapter 27 27. I
Always Appreciated Teamwork and Collaborations Chapter 28 28. The Dream of
a Common Language: Thoughts on Collaboration and Protest Chapter 29 29.
Observations on Collective Cultural Action Chapter 30 30. New Social Art
School Chapter 31 31. Complicity Chapter 32 32. Transromantik Chapter 33
33. On Collaboration Chapter 34 34. "This Way Up": Concept and Progress
Chapter 35 35. Online Collaboration in Genomic Art Chapter 36 36. A Robot
and Its Double Chapter 37 37. Art.es and Collaborative Projects Chapter 38
38. My Collaborative Art Chapter 39 39. Collaboration between Tracey
Snelling and Salvador Diaz, Chicago, March 2005 Chapter 40 40. "i Woz" and
Gina Chapter 41 41. "It seems simple, but it is not."
Particular Brotherhood Chapter 2 2. The Calling of Two Creatures:
Depression-era Collaboration and a Theory of Camera and Pen Chapter 3 3.
Creative Occupation: Collaborative Artistic Practices in Europe 1937-1943
Chapter 4 4. Collaborative Practices in Environmental Art Chapter 5 5.
Concepts of Collaborative Art in the Divided Germany of the 1960s Chapter 6
6. "Avant-femme" or Futuristic Frauen: Collaborative Art by Women in the
German Democratic Republic Chapter 7 7. The Second Self Chapter 8 8.
"Encompassing Unboundness": Desire and Collaborative Authorship in Carla
Harryman and Lyn Hejinian's "The Wide Road" Chapter 9 9. An Easy Alliance:
A Dialogue on Methodology Chapter 10 10. Learning from Robert Venturi and
Denise Scott Brown Chapter 11 11. Languages of Innovation Chapter 12 12.
Working Together Chapter 13 13. Ken Friedman: A Life in Fluxus Chapter 14
14. Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman and Disney
Chapter 15 15. The Ivory Towers Were Always Connected: Interdisciplinary
Dia(b)logues as Challenge and Choice Chapter 16 16. Socially Engaged Art,
Critics, and Discontents: Interview with Claire Bishop Chapter 17 17.
"Detrimental to the Interests of the United States": Cuban Artists (Not) in
Residence Chapter 18 18. Suzanne Lacy: Oakland Projects Chapter 19 19.
Simonides in the Machine: The Art of Virtual Memory in a Pentagon-funded
Initiative Chapter 20 20. Locating a Temporary Common Space: Cultural
Exchanges in Weedpatch Chapter 21 21. "Sometimes I'm Harvey Weinstein;
Sometimes I'm Wes Craven. The Same Goes For My Brother." The Neistat
Brothers Chapter 22 22. Having Their Cake and Eating it Too: The Case of
Christo's (and Jeanne-Claude's) Im(permanence) and Exclusivity Chapter 23
23. The Wu-wei of the 21st Century Art of Collaboration Chapter 24 24. What
is Conversational Music or "Convers"? Chapter 25 25. Some Thoughts on
Collaboration Chapter 26 26. The Electron Buddy System Chapter 27 27. I
Always Appreciated Teamwork and Collaborations Chapter 28 28. The Dream of
a Common Language: Thoughts on Collaboration and Protest Chapter 29 29.
Observations on Collective Cultural Action Chapter 30 30. New Social Art
School Chapter 31 31. Complicity Chapter 32 32. Transromantik Chapter 33
33. On Collaboration Chapter 34 34. "This Way Up": Concept and Progress
Chapter 35 35. Online Collaboration in Genomic Art Chapter 36 36. A Robot
and Its Double Chapter 37 37. Art.es and Collaborative Projects Chapter 38
38. My Collaborative Art Chapter 39 39. Collaboration between Tracey
Snelling and Salvador Diaz, Chicago, March 2005 Chapter 40 40. "i Woz" and
Gina Chapter 41 41. "It seems simple, but it is not."
Chapter 1 1. The Decoration of the Paris Panthéon by Paul Chenavard-A
Particular Brotherhood Chapter 2 2. The Calling of Two Creatures:
Depression-era Collaboration and a Theory of Camera and Pen Chapter 3 3.
Creative Occupation: Collaborative Artistic Practices in Europe 1937-1943
Chapter 4 4. Collaborative Practices in Environmental Art Chapter 5 5.
Concepts of Collaborative Art in the Divided Germany of the 1960s Chapter 6
6. "Avant-femme" or Futuristic Frauen: Collaborative Art by Women in the
German Democratic Republic Chapter 7 7. The Second Self Chapter 8 8.
"Encompassing Unboundness": Desire and Collaborative Authorship in Carla
Harryman and Lyn Hejinian's "The Wide Road" Chapter 9 9. An Easy Alliance:
A Dialogue on Methodology Chapter 10 10. Learning from Robert Venturi and
Denise Scott Brown Chapter 11 11. Languages of Innovation Chapter 12 12.
Working Together Chapter 13 13. Ken Friedman: A Life in Fluxus Chapter 14
14. Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman and Disney
Chapter 15 15. The Ivory Towers Were Always Connected: Interdisciplinary
Dia(b)logues as Challenge and Choice Chapter 16 16. Socially Engaged Art,
Critics, and Discontents: Interview with Claire Bishop Chapter 17 17.
"Detrimental to the Interests of the United States": Cuban Artists (Not) in
Residence Chapter 18 18. Suzanne Lacy: Oakland Projects Chapter 19 19.
Simonides in the Machine: The Art of Virtual Memory in a Pentagon-funded
Initiative Chapter 20 20. Locating a Temporary Common Space: Cultural
Exchanges in Weedpatch Chapter 21 21. "Sometimes I'm Harvey Weinstein;
Sometimes I'm Wes Craven. The Same Goes For My Brother." The Neistat
Brothers Chapter 22 22. Having Their Cake and Eating it Too: The Case of
Christo's (and Jeanne-Claude's) Im(permanence) and Exclusivity Chapter 23
23. The Wu-wei of the 21st Century Art of Collaboration Chapter 24 24. What
is Conversational Music or "Convers"? Chapter 25 25. Some Thoughts on
Collaboration Chapter 26 26. The Electron Buddy System Chapter 27 27. I
Always Appreciated Teamwork and Collaborations Chapter 28 28. The Dream of
a Common Language: Thoughts on Collaboration and Protest Chapter 29 29.
Observations on Collective Cultural Action Chapter 30 30. New Social Art
School Chapter 31 31. Complicity Chapter 32 32. Transromantik Chapter 33
33. On Collaboration Chapter 34 34. "This Way Up": Concept and Progress
Chapter 35 35. Online Collaboration in Genomic Art Chapter 36 36. A Robot
and Its Double Chapter 37 37. Art.es and Collaborative Projects Chapter 38
38. My Collaborative Art Chapter 39 39. Collaboration between Tracey
Snelling and Salvador Diaz, Chicago, March 2005 Chapter 40 40. "i Woz" and
Gina Chapter 41 41. "It seems simple, but it is not."
Particular Brotherhood Chapter 2 2. The Calling of Two Creatures:
Depression-era Collaboration and a Theory of Camera and Pen Chapter 3 3.
Creative Occupation: Collaborative Artistic Practices in Europe 1937-1943
Chapter 4 4. Collaborative Practices in Environmental Art Chapter 5 5.
Concepts of Collaborative Art in the Divided Germany of the 1960s Chapter 6
6. "Avant-femme" or Futuristic Frauen: Collaborative Art by Women in the
German Democratic Republic Chapter 7 7. The Second Self Chapter 8 8.
"Encompassing Unboundness": Desire and Collaborative Authorship in Carla
Harryman and Lyn Hejinian's "The Wide Road" Chapter 9 9. An Easy Alliance:
A Dialogue on Methodology Chapter 10 10. Learning from Robert Venturi and
Denise Scott Brown Chapter 11 11. Languages of Innovation Chapter 12 12.
Working Together Chapter 13 13. Ken Friedman: A Life in Fluxus Chapter 14
14. Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman and Disney
Chapter 15 15. The Ivory Towers Were Always Connected: Interdisciplinary
Dia(b)logues as Challenge and Choice Chapter 16 16. Socially Engaged Art,
Critics, and Discontents: Interview with Claire Bishop Chapter 17 17.
"Detrimental to the Interests of the United States": Cuban Artists (Not) in
Residence Chapter 18 18. Suzanne Lacy: Oakland Projects Chapter 19 19.
Simonides in the Machine: The Art of Virtual Memory in a Pentagon-funded
Initiative Chapter 20 20. Locating a Temporary Common Space: Cultural
Exchanges in Weedpatch Chapter 21 21. "Sometimes I'm Harvey Weinstein;
Sometimes I'm Wes Craven. The Same Goes For My Brother." The Neistat
Brothers Chapter 22 22. Having Their Cake and Eating it Too: The Case of
Christo's (and Jeanne-Claude's) Im(permanence) and Exclusivity Chapter 23
23. The Wu-wei of the 21st Century Art of Collaboration Chapter 24 24. What
is Conversational Music or "Convers"? Chapter 25 25. Some Thoughts on
Collaboration Chapter 26 26. The Electron Buddy System Chapter 27 27. I
Always Appreciated Teamwork and Collaborations Chapter 28 28. The Dream of
a Common Language: Thoughts on Collaboration and Protest Chapter 29 29.
Observations on Collective Cultural Action Chapter 30 30. New Social Art
School Chapter 31 31. Complicity Chapter 32 32. Transromantik Chapter 33
33. On Collaboration Chapter 34 34. "This Way Up": Concept and Progress
Chapter 35 35. Online Collaboration in Genomic Art Chapter 36 36. A Robot
and Its Double Chapter 37 37. Art.es and Collaborative Projects Chapter 38
38. My Collaborative Art Chapter 39 39. Collaboration between Tracey
Snelling and Salvador Diaz, Chicago, March 2005 Chapter 40 40. "i Woz" and
Gina Chapter 41 41. "It seems simple, but it is not."