Kelley Helmstutler Di Dio is Professor of Art History at the University of Vermont, USA. Tommaso Mozzati is Research Professor of the Università degli Studi of Perugia, Italy.
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Introduction [Kelley Helmstutler Di Dio and Tommaso Mozzati] 1. Domenico Fancelli and the tomb of the Catholic Kings: Carrara, Italian Wars and the Spanish Renaissance [Michela Zurla] 2. The Tomb of Bishop Alonso de Madrigal ("El Tostado") in the Cathedral of Ávila - The Monumentalizing of the "Autorbild" [Johannes Röll] 3. Architecture for the retablo between Spain and Italy: on the work of Jacopo L'Indaco, Alonso Berruguete and Diego de Siloé (1520-1530) [Carlos Plaza] 4. An Italian Fountain for the Emperor: The Fuente del Águila (1539) [María José Redondo Cantera] 5. Michelangelo Re-read: A Note on the Reception of his Pictorial Language in the Spanish Sculpture of the Second Half of the Sixteenth Century [Manuel Arias Martínez] 6. Circulation of Sculpture Across the Spanish Empire: The Case of Martino Regio's Genoese Workshop and the Multiple Variations of His Name [Fernando Loffredo] 7. Ribera's Northern Italian Nexus [Lisandra Estevez] 8. Courtiers, Compasses, Fables and Dictionaries: Italian Books in the Collections of Velázquez, Carducho and Guerra Coronel [Marta Cacho Casal] 9. Guido Reni's Influence in Seville through Originals, Copies, and Prints [Rafael Japón] 10. Some Spanish Paintings in Florentine Collections: The Legacy of the Iberian Journey of Cosimo III de' Medici [Miguel Tain Guzman]
Introduction [Kelley Helmstutler Di Dio and Tommaso Mozzati] 1. Domenico Fancelli and the tomb of the Catholic Kings: Carrara, Italian Wars and the Spanish Renaissance [Michela Zurla] 2. The Tomb of Bishop Alonso de Madrigal ("El Tostado") in the Cathedral of Ávila - The Monumentalizing of the "Autorbild" [Johannes Röll] 3. Architecture for the retablo between Spain and Italy: on the work of Jacopo L'Indaco, Alonso Berruguete and Diego de Siloé (1520-1530) [Carlos Plaza] 4. An Italian Fountain for the Emperor: The Fuente del Águila (1539) [María José Redondo Cantera] 5. Michelangelo Re-read: A Note on the Reception of his Pictorial Language in the Spanish Sculpture of the Second Half of the Sixteenth Century [Manuel Arias Martínez] 6. Circulation of Sculpture Across the Spanish Empire: The Case of Martino Regio's Genoese Workshop and the Multiple Variations of His Name [Fernando Loffredo] 7. Ribera's Northern Italian Nexus [Lisandra Estevez] 8. Courtiers, Compasses, Fables and Dictionaries: Italian Books in the Collections of Velázquez, Carducho and Guerra Coronel [Marta Cacho Casal] 9. Guido Reni's Influence in Seville through Originals, Copies, and Prints [Rafael Japón] 10. Some Spanish Paintings in Florentine Collections: The Legacy of the Iberian Journey of Cosimo III de' Medici [Miguel Tain Guzman]
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