This book presents the recent positions, theories, and methods of artistic research in jazz, inviting readers to critically engage in and establish a sustained discourse regarding the theoretical, methodological, and analytic perspectives in the field of artistic practice-as-research.
This book presents the recent positions, theories, and methods of artistic research in jazz, inviting readers to critically engage in and establish a sustained discourse regarding the theoretical, methodological, and analytic perspectives in the field of artistic practice-as-research.
Michael Kahr is Senior Lecturer at the Institute for Jazz at the University of Music and Performing Arts Graz, Austria as well as Dean of Music Faculty and Head of Master Studies at the Jam Music Lab University in Vienna, Austria.
Inhaltsangabe
Artistic Research in Jazz: An Introduction Michael Kahr Part I: Improvisation, Theory, and History 1. Improvising Artistic Research Marcel Cobussen 2. Improvising Touch: Musical Improvisation Considered as a Tactile Practice Vincent Meelberg 3. Mapping Jazz's Affect: Implications for Music Theory and Analysis Chris Stover 4. Artistic Research in Jazz: Historical Contexts Michael Kahr Part II: Institutional and Pedagogical Considerations 5. Wordplay: Negotiating the Conservatory 'Culture Clash' Petter Frost Fadnes 6. The Lessons of Jazz: What We Teach When We Teach Jazz in College Tracy McMullen 7. It Don't Mean a Thing Without My Web Fan Base Thing: A Dance of Cultural Relevancy in Jazz Education Culture Today William C. Banfield Part III: Specific Projects 8. Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves": Practice-led Research Beckons to Research-led Practice Roger T. Dean 9. Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation: A Methodology for Artistic Research in Jazz Robert L. Burke 10. Articulating Musical Practice and Research: Notes on a South African Recording Project Marc Duby 11. Embodied Hope: An Empathically Creative Approach to Contemporary Jazz Andrew Bain
Artistic Research in Jazz: An Introduction Michael Kahr Part I: Improvisation, Theory, and History 1. Improvising Artistic Research Marcel Cobussen 2. Improvising Touch: Musical Improvisation Considered as a Tactile Practice Vincent Meelberg 3. Mapping Jazz's Affect: Implications for Music Theory and Analysis Chris Stover 4. Artistic Research in Jazz: Historical Contexts Michael Kahr Part II: Institutional and Pedagogical Considerations 5. Wordplay: Negotiating the Conservatory 'Culture Clash' Petter Frost Fadnes 6. The Lessons of Jazz: What We Teach When We Teach Jazz in College Tracy McMullen 7. It Don't Mean a Thing Without My Web Fan Base Thing: A Dance of Cultural Relevancy in Jazz Education Culture Today William C. Banfield Part III: Specific Projects 8. Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves": Practice-led Research Beckons to Research-led Practice Roger T. Dean 9. Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation: A Methodology for Artistic Research in Jazz Robert L. Burke 10. Articulating Musical Practice and Research: Notes on a South African Recording Project Marc Duby 11. Embodied Hope: An Empathically Creative Approach to Contemporary Jazz Andrew Bain
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
