The first monograph on Venezuelan multimedia artist Arturo Herrera in nearly twenty years, this comprehensive book takes a deep look at his diverse body of work. Most known for collage, felt sculpture, and wall painting, Herrera references the complex legacy of abstraction using modernist visual languages. Often employing found material and sourced elements, Herrera’s work incorporates discrete iconography and familiar imagery to provoke a multiplicity of references and readings. As his practice has evolved, the artist has become renowned for his colorful abstract mixed-media pieces that adapt…mehr
The first monograph on Venezuelan multimedia artist Arturo Herrera in nearly twenty years, this comprehensive book takes a deep look at his diverse body of work. Most known for collage, felt sculpture, and wall painting, Herrera references the complex legacy of abstraction using modernist visual languages. Often employing found material and sourced elements, Herrera’s work incorporates discrete iconography and familiar imagery to provoke a multiplicity of references and readings. As his practice has evolved, the artist has become renowned for his colorful abstract mixed-media pieces that adapt and renew techniques of fragmentation and layering found in his earlier collage-based work.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Arturo Herrera (b. 1959, Caracas, Venezeula) received a BFA from the University of Tulsa and MFA from the University of Illinois at Chicago. His work is currently on view at SITE SANTA FE in Arturo Herrera: You are here (March-May 2024). Recent exhibitions include solo shows Between at The Contemporary Dayton, OH (2023) and Constructed Collage at Ruby City, San Antonio, TX (2022-23); and group shows Monochrome Multitudes at the Smart Museum of Art, Chicago, IL (2022-23) and Mirror at Feld-Haus Projects, Berlin (2022). Herrera’s long-term, site-specific wall installations can be seen at the Bass Museum of Art, Miami, FL; Bloomberg European Headquarters, London; and Tate Modern, London. His work is housed in public collections such as the Art Institute of Chicago, IL; Metropolitan Museum of Art, New York, NY; Museum of Contemporary Art, Los Angeles, CA; Museum of Modern Art, New York, NY; Museo Reina Sofia, Madrid; and Tate Modern, London. He has received fellowships from the Guggenheim Foundation, Pollock-Krasner Foundation, ArtPace San Antonio, Louis Comfort Tiffany Foundation, and DAAD. Herrera lives and works in Berlin. Valerie Smith is a curator, art historian, and writer living and working between Berlin and New York. She has curated and directed projects at Artists Space, Sonsbeek 93, the QUeens Museum of Art, Haus der Kulturen der Welt, and the List Visual Arts Center at MIT. Since 2014, she has been teaching exhibition histories at Barnard College, Columbia. Josiah McElheny (b. 1966) is an artist whose sculptures, paintings, installations, performances, and films engage with the history of ideas across literature, architecture, music theory, and astronomy. His works often combine glass or mirror with other materials, to emphasize the importance of the act of looking “as a subject in and of itself.” For McElheny, a skilled glassblower, the material serves as a productive agent, inciting chance encounters between forms and ideas that point toward alternative histories and futures. Scott Roben is an artist and writer living in Berlin. He has written about Arturo Herrera’s work on several prior occasions, including essays accompanying Herrera’s 2019 exhibition Arturo Herrera at Corbett vs. Dempsey, Chicago and his 2021 exhibition From this Day Forward at Thomas Dane Gallery, London, UK.
Inhaltsangabe
"The Reflection of a Passing Car...," Valerie Smith Plates Conversation: Arturo Herrera with Josiah McElheny "Out of Its Gaps" Scott Roben Chronology
