Tuning In brings readers through the fascinating history, structure, and function of music as it has been used over the first fifty years of television: how it serves as a navigator through the flow of television, and how it conveys meaning to its viewers.
Tuning In brings readers through the fascinating history, structure, and function of music as it has been used over the first fifty years of television: how it serves as a navigator through the flow of television, and how it conveys meaning to its viewers.
Ronald Rodman is Professor of Music at Carleton College, where he teaches courses in the music and cinema and media studies departments. He has published numerous articles on tonal music theory, film music, and music in new media.
Inhaltsangabe
* Introduction. What Were Musicians Saying About Television Music During the First Decade of Broadcasting? * I: Toward an Associative Theory of Television Music * 2: "Hello Out There in TV Land": Musical Agency in the Early Television Anthology Drama * 3: "And Now a Word from Our Sponsor: Musical Structure and Mediation in Early TV Commercials * 4: "Beam Me Up, Scottie!" Leitmotifs, Musical Topos, and Ascription in the Sci-Fi Drama * 5: "Go for your Guns:" Narrative Syntax and Musical Functions in the TV Western * 6: Tube of Pleasure, Tube of Bliss: Television Music as (Not-So) Drastic Experience * 7: "And Now Another Word from our Sponsor:" Strategies of Occultation and Imbuement in Musical Commercials * 8: "Just the Facts, Ma'am:" Style Change and Markedness in Police Drama Theme Music * 9: "The Truth is Out There:" Music in Modern/Postmodern Television * Bibliography * Index
* Introduction. What Were Musicians Saying About Television Music During the First Decade of Broadcasting? * I: Toward an Associative Theory of Television Music * 2: "Hello Out There in TV Land": Musical Agency in the Early Television Anthology Drama * 3: "And Now a Word from Our Sponsor: Musical Structure and Mediation in Early TV Commercials * 4: "Beam Me Up, Scottie!" Leitmotifs, Musical Topos, and Ascription in the Sci-Fi Drama * 5: "Go for your Guns:" Narrative Syntax and Musical Functions in the TV Western * 6: Tube of Pleasure, Tube of Bliss: Television Music as (Not-So) Drastic Experience * 7: "And Now Another Word from our Sponsor:" Strategies of Occultation and Imbuement in Musical Commercials * 8: "Just the Facts, Ma'am:" Style Change and Markedness in Police Drama Theme Music * 9: "The Truth is Out There:" Music in Modern/Postmodern Television * Bibliography * Index
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