Astrid Book II - Trouper, T G
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Astrid has been through ten years of fighting, ten years of killing, and is exhausted. She doubts whether she now even has the strength to fight any more but is desperate to find a way to bring the conflict to an end. Her country is sophisticated and technologically advanced but is bordered to the north by a belligerent dictatorship that has made threats of war. She was an actress and had been filming on the day an unprovoked attack took place; she witnessed friends being killed, and on that day, she gave up her dreams and became a nurse. However, another incident a couple of years later…mehr

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Produktbeschreibung
Astrid has been through ten years of fighting, ten years of killing, and is exhausted. She doubts whether she now even has the strength to fight any more but is desperate to find a way to bring the conflict to an end. Her country is sophisticated and technologically advanced but is bordered to the north by a belligerent dictatorship that has made threats of war. She was an actress and had been filming on the day an unprovoked attack took place; she witnessed friends being killed, and on that day, she gave up her dreams and became a nurse. However, another incident a couple of years later changed her, and she joined the military and became an assassin. She now uses her acting skills to move through enemy territory becoming different characters to avoid detection, blending in and hiding in plain sight. Then an enemy general becomes aware of her and pursues her as she makes her way out. Will she survive?
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Autorenporträt
T G Trouper lives with his wife in Essex, England; they have one son who lives in America. T G spent years working in the live music industry, organising equipment for some of the biggest names in rock and pop. Only when he retired early to look after aging parents did he find the time to start writing, something that he had wanted to do for years. He still works part-time in the music business; as he says, no one ever actually retires from it. After years of playing in various pub and club bands, he now occasionally plays guitar and sings in a duo. T G is passionately against the use of generative AI in writing. He believes that the reading public wants something written from the human heart and not something created in a microsecond by a machine. He encourages all readers to ask if a book has any AI-generated content, and, if it has, to refuse to buy it. AI has its place. In science, medicine, industry etc., it will become invaluable, just not in the creative arts. However, all search engines now use AI, so the use of AI while researching subjects for novels is unavoidable.