At Large - Matthias, John
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At Large takes its title from John Matthias' "Editor at Large" column published during the last decade in Notre Dame Review. The book is in some ways a sequel to his previous volume of essays and memoirs, Who Was Cousin Alice? And Other Questions (Shearsman Books, 2011). Like that book, At Large contains a series of personal essays, many of which also involve literary commentary, along with literary essays that retain the flavor of memoir. Subjects include memories of an early poetic apprenticeship, family history, backgrounds for his novel Different Kinds of Music (Shearsman, 2014), as well…mehr

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Produktbeschreibung
At Large takes its title from John Matthias' "Editor at Large" column published during the last decade in Notre Dame Review. The book is in some ways a sequel to his previous volume of essays and memoirs, Who Was Cousin Alice? And Other Questions (Shearsman Books, 2011). Like that book, At Large contains a series of personal essays, many of which also involve literary commentary, along with literary essays that retain the flavor of memoir. Subjects include memories of an early poetic apprenticeship, family history, backgrounds for his novel Different Kinds of Music (Shearsman, 2014), as well as longer and more formal pieces about "poetry of place"; the work of Basil Bunting, Tomas Tranströmer, David Jones, Robert Duncan, and Hugh MacDiarmid; the fiction of poets; poetry in film and opera; and the literary dangers of finding "religious feeling" in texts that are really dealing with secular emotions. At Large also functions as a kind of anthology, reprinting excerpts, with Matthias' introduction, of John Peck's book-length poem Cantilena (Shearsman, 2016) and James Walton's unpublished novel The Progress of Romance. The book contains two interviews, the author's with Larry Siems, former free-speech trouble-shooter for American PEN and a former student, and Joe Francis Doerr's three part conversation with the author. It is a book full of variety and surprises, one of them an illustrated lecture on the collaboration between screen siren Hedy Lemarr and avant-garde composer George Antheil as they appear in Matthias' poem-play, Automystifstical Plaice: A Spread Spectrum Cabaret.
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Autorenporträt
John Matthias was born in 1941 in Columbus, Ohio. For many years he taught at the University of Notre Dame and continues to serve as poetry editor of Notre Dame Review. He has been a Visiting Fellow in poetry at Clare Hall, Cambridge, and lived for much of the 70s and 80s in East Anglia. His books of verse include Turns, Crossing, Northern Summer, A Gathering of Ways, Swimming at Midnight, Beltane at Aphelion, Pages, Working Progress, Working Title, New Selected Poems and Kedging. He has also published translations from the Swedish, editions of David Jones' work, and a volume of literary criticism, Reading Old Friends. In 1998 Robert Archambeau edited Word Play Place, a selection of essays on Matthias's work. Another book of essays on his poetry appeared in 2011 in the Salt Companion series, edited by Joe Francis Doerr. Since 2010, Shearsman has republished all of his poetry in the volumes Trigons (2010), Collected Shorter Poems Vol. 2 (2011), Collected Longer Poems (2012) and Collected Shorter Poems Vol. 1 (2013). In 2011 Shearsman also pubished his essay collection, Who was Cousin Alice?