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Shawn Michelle Smith examines how the advent of photography revolutionized perception, making what was once invisible visible, while also revealing the limitations of what can be seen.

Produktbeschreibung
Shawn Michelle Smith examines how the advent of photography revolutionized perception, making what was once invisible visible, while also revealing the limitations of what can be seen.
Autorenporträt
Shawn Michelle Smith is Associate Professor of Visual and Critical Studies at the School of the Art Institute of Chicago. She is the author of Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture (also published by Duke University Press) and American Archives: Gender, Race, and Class in Visual Culture; coauthor of Lynching Photographs; and coeditor of Pictures and Progress: Early Photography and the Making of African American Identity (also published by Duke University Press).