A polemical anthology of criticism that seeks to redraw the boundaries of the study of romanticism and question romanticism's suppression of the feminine, the material, and the collective, and its opposition to readings centring on these concerns
A polemical anthology of criticism that seeks to redraw the boundaries of the study of romanticism and question romanticism's suppression of the feminine, the material, and the collective, and its opposition to readings centring on these concernsHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
MARY A. FAVRET teaches English and Women's Studies at Indiana University and is author of Romantic Correspondence: Women, Politics and the Fiction of Letters. NICOLA J. WATSON teaches English at Northwestern University and is author of Revolution and the Form of the Novel 1790-1825: Intercepted Letters, Interrupted Seductions.
Inhaltsangabe
Acknowledgments Introduction 1. Wordsworth and Romanticism in the Academy: John Rieder 2. Climbing Parnassus, and Falling Off: Peter T. Murphy 3. A Home for Art: Painting, Poetry and Domestic Interiors Mary A. Favret 4. A Voice from across the Sea: Communitarianism at the Limits of Romanticism Anne Janowitz 5. The Uneducated Imagination: Romantic Representations of Labor Kurt Heinzelman 6. Sexual Politics and Literary History: William Hazlitt's Keswick Escapade and sarah Hazlitt's Journal Sonia Hofkosh 7. Why Should I Wish for Works?: Literacy, Articulation, and the Borders of Literary Culture Lucinda Cole and Richard G. Swartz 8. History, Imperialism, and the Aesthetics of the Beautiful: Hemans and the Post-Napoleonic Moment Nanora Sweet 9. Trans-figuring Byronic Idenity Nicola J. Watson 10. Butchering James Hogg: Romantic Identity in the Magazine Market Mark L. Schoenfield 11. An Embarrassing Subject: Use Value and Exchange Value in Early Gothic Characterization Andera Henderson 12. Liquidating the Sublime: Gossip in Scott's Novels Jan B. Gordon 13. Romantic Criticism: The State of the Art Marjorie Levinson Notes on Contributors Index
Acknowledgments Introduction 1. Wordsworth and Romanticism in the Academy: John Rieder 2. Climbing Parnassus, and Falling Off: Peter T. Murphy 3. A Home for Art: Painting, Poetry and Domestic Interiors Mary A. Favret 4. A Voice from across the Sea: Communitarianism at the Limits of Romanticism Anne Janowitz 5. The Uneducated Imagination: Romantic Representations of Labor Kurt Heinzelman 6. Sexual Politics and Literary History: William Hazlitt's Keswick Escapade and sarah Hazlitt's Journal Sonia Hofkosh 7. Why Should I Wish for Works?: Literacy, Articulation, and the Borders of Literary Culture Lucinda Cole and Richard G. Swartz 8. History, Imperialism, and the Aesthetics of the Beautiful: Hemans and the Post-Napoleonic Moment Nanora Sweet 9. Trans-figuring Byronic Idenity Nicola J. Watson 10. Butchering James Hogg: Romantic Identity in the Magazine Market Mark L. Schoenfield 11. An Embarrassing Subject: Use Value and Exchange Value in Early Gothic Characterization Andera Henderson 12. Liquidating the Sublime: Gossip in Scott's Novels Jan B. Gordon 13. Romantic Criticism: The State of the Art Marjorie Levinson Notes on Contributors Index
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