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In his moving debut collection, Jackson Burgess examines heartbreak, depression, and empathy through a lens of rigorous introspection. Dive bars, gas stations, bedrooms, and snowfields comprise the setting as the speaker asks: What do we feel? What should we feel? Who gets to feel what? Atrophy's poems vary in location, mostly between Los Angeles and Iowa City, with reoccurring characters serving as touchstones, forming the book's narrative. Much of the collection is about or directly addresses an ex-lover, Lily. In the wake of that failed relationship, Atrophy wrestles with loneliness,…mehr

Produktbeschreibung
In his moving debut collection, Jackson Burgess examines heartbreak, depression, and empathy through a lens of rigorous introspection. Dive bars, gas stations, bedrooms, and snowfields comprise the setting as the speaker asks: What do we feel? What should we feel? Who gets to feel what? Atrophy's poems vary in location, mostly between Los Angeles and Iowa City, with reoccurring characters serving as touchstones, forming the book's narrative. Much of the collection is about or directly addresses an ex-lover, Lily. In the wake of that failed relationship, Atrophy wrestles with loneliness, substance abuse, and dissociation, utilizing lists, letters, prose poems, and free verse. These poems celebrate the past while mourning it, armed with the advantage of retrospect. Prescription drugs, dog fights, dance parties, love letters, and ghosts-the world depicted is at times dark, at times humorous, but always human. Atrophy is vulnerable and cinematic, a series of manic meditations exploring what it means to love and be loved, to hurt and be hurt.
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Autorenporträt
Jackson Burgess was the first-ever fiction/poetry dual-admit to the Iowa Writers' Workshop, where he was a Truman Capote Fellow. A recovering alcoholic, he has worked as a janitor, delivery driver, editor, professor, and college consultant, and has placed poems, stories, and criticism in The Los Angeles Review, The Cimarron Review, Tin House, Joyland, Willow Springs, The Colorado Review, The Millions, The Cincinnati Review, and elsewhere.