Attentional Engines explores the potential of the growing field of cognitive sciences and aesthetics. Along the way it introduces readers to the philosophy of art and evaluates what psychology and neuroscience can and cannot tell us about the nature and value of artworks. Seeley utilizes a case study approach to explain how research in perceptual psychology and the neuroscience of attention can contribute to our everyday understanding of art.
Attentional Engines explores the potential of the growing field of cognitive sciences and aesthetics. Along the way it introduces readers to the philosophy of art and evaluates what psychology and neuroscience can and cannot tell us about the nature and value of artworks. Seeley utilizes a case study approach to explain how research in perceptual psychology and the neuroscience of attention can contribute to our everyday understanding of art.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
William P. Seeley is a Visiting Scholar at Boston College and an Adjunct Lecturer in Philosophy at the University of New Hampshire, Manchester. He holds a Ph.D. in philosophy from CUNY-The Graduate Center, an M.F.A. in sculpture from Columbia University, and a B.A. in philosophy from Columbia University. His research interests lie at the intersection of philosophy of art, cognitive science, and embodied cognition. He is also a sculptor. His welded steel constructions have been exhibited in New York City and at a number of colleges and university galleries including a solo show of outdoor works at Ezra Stiles College at Yale University. He also worked as Head Assistant to Ursula Von Rydingsvard in New York City. The installations he was involved with include work with include work currently on exhibit at the Storm King Art Center in New York and the East Wing of the National Gallery of Art in Washington, D.C.
Inhaltsangabe
Acknowledgments Preface List of Figures and Illustrations Artworks Color Plates Introduction Section I Chapter 1: Seeking Salience: Art, Meaning, and Perception Chapter 2: Seeking Salience: A Diagnostic Recognition Framework for Engaging Art Chapter 3: Concepts and Categories of Art: A Very Brief Primer Section II Chapter 4: Diagnosticity and the Problem of Depiction Chapter 5: Metakinesis and the Average Dance Audience Chapter 6: Musical Expression: Mammals and Music Amount Others Chapter 7: Cognitivism at the Movies Section III Chapter 8: Fixing Testadura's Error Chapter 9: Staying Optimistic References
Acknowledgments Preface List of Figures and Illustrations Artworks Color Plates Introduction Section I Chapter 1: Seeking Salience: Art, Meaning, and Perception Chapter 2: Seeking Salience: A Diagnostic Recognition Framework for Engaging Art Chapter 3: Concepts and Categories of Art: A Very Brief Primer Section II Chapter 4: Diagnosticity and the Problem of Depiction Chapter 5: Metakinesis and the Average Dance Audience Chapter 6: Musical Expression: Mammals and Music Amount Others Chapter 7: Cognitivism at the Movies Section III Chapter 8: Fixing Testadura's Error Chapter 9: Staying Optimistic References
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