Audible Empire
Music, Global Politics, Critique
Herausgeber: Radano, Ronald; Olaniyan, Tejumola
Audible Empire
Music, Global Politics, Critique
Herausgeber: Radano, Ronald; Olaniyan, Tejumola
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Ronald Radano is Professor of Music at the University of Wisconsin, Madison, and the author of Lying up a Nation: Race and Black Music.¿ ¿ Tejumola Olaniyan is Louise Durham Mead Professor of English at the University of Wisconsin, Madison, and the author of Arrest the Music! Fela and His Rebel Art and Politics.
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Ronald Radano is Professor of Music at the University of Wisconsin, Madison, and the author of Lying up a Nation: Race and Black Music.¿ ¿ Tejumola Olaniyan is Louise Durham Mead Professor of English at the University of Wisconsin, Madison, and the author of Arrest the Music! Fela and His Rebel Art and Politics.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 432
- Erscheinungstermin: 25. Januar 2016
- Englisch
- Abmessung: 239mm x 165mm x 28mm
- Gewicht: 703g
- ISBN-13: 9780822359869
- ISBN-10: 0822359863
- Artikelnr.: 42235946
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Duke University Press
- Seitenzahl: 432
- Erscheinungstermin: 25. Januar 2016
- Englisch
- Abmessung: 239mm x 165mm x 28mm
- Gewicht: 703g
- ISBN-13: 9780822359869
- ISBN-10: 0822359863
- Artikelnr.: 42235946
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Ronald Radano is Professor of Music at the University of Wisconsin, Madison, and the author of Lying up a Nation: Race and Black Music. Tejumola Olaniyan is Louise Durham Mead Professor of English at the University of Wisconsin, Madison, and the author of Arrest the Music! Fela and His Rebel Art and Politics.
Acknowledgments ix
Introduction. Hearing Empire—Imperial Listening / Ronald Radano and
Tejumola Olaniyan 1
Part I. Technologies of Circulation
1. Decolonizing the Ear: The Transcolonial Reverberations of Vernacular
Phonograph Music / Michael Denning 25
2. Smoking Hot: Cigarettes, Jazz, and the Production of Global Imaginaries
in Interwar Shanghai / Nan Enstad 45
3. Circuit Listening: Grace Chang and the Dawn of the Chinese 1960s /
Andrew F. Jones 66
Part II. Audible Displacements
4. The Aesthetics of Allá: Listening Like a Sonidero / Josh Kun 95
5. Sound Legacy: Elsie Houston / Micol Seigel 116
6. Imperial Aurality: Jazz, the Archive, and U.S. Empire / Jairo Moreno
135
7. Where They Came From: Reracializing Music in the Empire of Silence /
Philip V. Bohlman 161
Part III. Cultural Policies and Politics in the Sound Market
8. Di Eagle and di Bear: Who Gets to Tell the Story of the Cold War? /
Penny Von Eschen 187
9. Currents of Revolutionary Confluence: A View from Cuba's Hip Hop
Festival / Marc Perry 209
10. Tango as Intangible Cultural Heritage: Development, Diversity, and the
Values of Music in Buenos Aires / Morgan James Luker 225
11. Musical Economies of the Elusive Metropolis / Gavin Steingo 246
Part IV. Anticolonialism
12. The Sound of Anticolonialism / Brent Hayes Edwards 269
13. Rap, Race, Revolution: Post-9/11 Brown and a Hip Hop Critique of Empire
/ Nitasha Sharma 292
14. Echo and Anthem: Representing Sound, Music, and Difference in Two
Colonial Modern Novels / Amanda Weidman 314
15. Tonality as a Colonizing Force in Africa / Kofi Agawu 334
Discography 357
Bibliography 361
Contributors 391
Index 397
Introduction. Hearing Empire—Imperial Listening / Ronald Radano and
Tejumola Olaniyan 1
Part I. Technologies of Circulation
1. Decolonizing the Ear: The Transcolonial Reverberations of Vernacular
Phonograph Music / Michael Denning 25
2. Smoking Hot: Cigarettes, Jazz, and the Production of Global Imaginaries
in Interwar Shanghai / Nan Enstad 45
3. Circuit Listening: Grace Chang and the Dawn of the Chinese 1960s /
Andrew F. Jones 66
Part II. Audible Displacements
4. The Aesthetics of Allá: Listening Like a Sonidero / Josh Kun 95
5. Sound Legacy: Elsie Houston / Micol Seigel 116
6. Imperial Aurality: Jazz, the Archive, and U.S. Empire / Jairo Moreno
135
7. Where They Came From: Reracializing Music in the Empire of Silence /
Philip V. Bohlman 161
Part III. Cultural Policies and Politics in the Sound Market
8. Di Eagle and di Bear: Who Gets to Tell the Story of the Cold War? /
Penny Von Eschen 187
9. Currents of Revolutionary Confluence: A View from Cuba's Hip Hop
Festival / Marc Perry 209
10. Tango as Intangible Cultural Heritage: Development, Diversity, and the
Values of Music in Buenos Aires / Morgan James Luker 225
11. Musical Economies of the Elusive Metropolis / Gavin Steingo 246
Part IV. Anticolonialism
12. The Sound of Anticolonialism / Brent Hayes Edwards 269
13. Rap, Race, Revolution: Post-9/11 Brown and a Hip Hop Critique of Empire
/ Nitasha Sharma 292
14. Echo and Anthem: Representing Sound, Music, and Difference in Two
Colonial Modern Novels / Amanda Weidman 314
15. Tonality as a Colonizing Force in Africa / Kofi Agawu 334
Discography 357
Bibliography 361
Contributors 391
Index 397
Acknowledgments ix
Introduction. Hearing Empire—Imperial Listening / Ronald Radano and
Tejumola Olaniyan 1
Part I. Technologies of Circulation
1. Decolonizing the Ear: The Transcolonial Reverberations of Vernacular
Phonograph Music / Michael Denning 25
2. Smoking Hot: Cigarettes, Jazz, and the Production of Global Imaginaries
in Interwar Shanghai / Nan Enstad 45
3. Circuit Listening: Grace Chang and the Dawn of the Chinese 1960s /
Andrew F. Jones 66
Part II. Audible Displacements
4. The Aesthetics of Allá: Listening Like a Sonidero / Josh Kun 95
5. Sound Legacy: Elsie Houston / Micol Seigel 116
6. Imperial Aurality: Jazz, the Archive, and U.S. Empire / Jairo Moreno
135
7. Where They Came From: Reracializing Music in the Empire of Silence /
Philip V. Bohlman 161
Part III. Cultural Policies and Politics in the Sound Market
8. Di Eagle and di Bear: Who Gets to Tell the Story of the Cold War? /
Penny Von Eschen 187
9. Currents of Revolutionary Confluence: A View from Cuba's Hip Hop
Festival / Marc Perry 209
10. Tango as Intangible Cultural Heritage: Development, Diversity, and the
Values of Music in Buenos Aires / Morgan James Luker 225
11. Musical Economies of the Elusive Metropolis / Gavin Steingo 246
Part IV. Anticolonialism
12. The Sound of Anticolonialism / Brent Hayes Edwards 269
13. Rap, Race, Revolution: Post-9/11 Brown and a Hip Hop Critique of Empire
/ Nitasha Sharma 292
14. Echo and Anthem: Representing Sound, Music, and Difference in Two
Colonial Modern Novels / Amanda Weidman 314
15. Tonality as a Colonizing Force in Africa / Kofi Agawu 334
Discography 357
Bibliography 361
Contributors 391
Index 397
Introduction. Hearing Empire—Imperial Listening / Ronald Radano and
Tejumola Olaniyan 1
Part I. Technologies of Circulation
1. Decolonizing the Ear: The Transcolonial Reverberations of Vernacular
Phonograph Music / Michael Denning 25
2. Smoking Hot: Cigarettes, Jazz, and the Production of Global Imaginaries
in Interwar Shanghai / Nan Enstad 45
3. Circuit Listening: Grace Chang and the Dawn of the Chinese 1960s /
Andrew F. Jones 66
Part II. Audible Displacements
4. The Aesthetics of Allá: Listening Like a Sonidero / Josh Kun 95
5. Sound Legacy: Elsie Houston / Micol Seigel 116
6. Imperial Aurality: Jazz, the Archive, and U.S. Empire / Jairo Moreno
135
7. Where They Came From: Reracializing Music in the Empire of Silence /
Philip V. Bohlman 161
Part III. Cultural Policies and Politics in the Sound Market
8. Di Eagle and di Bear: Who Gets to Tell the Story of the Cold War? /
Penny Von Eschen 187
9. Currents of Revolutionary Confluence: A View from Cuba's Hip Hop
Festival / Marc Perry 209
10. Tango as Intangible Cultural Heritage: Development, Diversity, and the
Values of Music in Buenos Aires / Morgan James Luker 225
11. Musical Economies of the Elusive Metropolis / Gavin Steingo 246
Part IV. Anticolonialism
12. The Sound of Anticolonialism / Brent Hayes Edwards 269
13. Rap, Race, Revolution: Post-9/11 Brown and a Hip Hop Critique of Empire
/ Nitasha Sharma 292
14. Echo and Anthem: Representing Sound, Music, and Difference in Two
Colonial Modern Novels / Amanda Weidman 314
15. Tonality as a Colonizing Force in Africa / Kofi Agawu 334
Discography 357
Bibliography 361
Contributors 391
Index 397