Audible Infrastructures
Herausgeber: Devine, Kyle; Boudreault-Fournier, Alexandrine
Audible Infrastructures
Herausgeber: Devine, Kyle; Boudreault-Fournier, Alexandrine
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Audible Infrastructures reveals the material, environmental, and economic conditions that underlie the production and consumption of music. In showing how central natural resources, power grids, and transportation are to music, this book boldly reshapes how we understand musical cultures and their place in society.
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Audible Infrastructures reveals the material, environmental, and economic conditions that underlie the production and consumption of music. In showing how central natural resources, power grids, and transportation are to music, this book boldly reshapes how we understand musical cultures and their place in society.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Critical Conjunctures in Music and Sound
- Verlag: Oxford University Press Inc
- Seitenzahl: 304
- Erscheinungstermin: 1. Februar 2021
- Englisch
- Abmessung: 231mm x 155mm x 18mm
- Gewicht: 440g
- ISBN-13: 9780190932640
- ISBN-10: 0190932643
- Artikelnr.: 59830131
- Critical Conjunctures in Music and Sound
- Verlag: Oxford University Press Inc
- Seitenzahl: 304
- Erscheinungstermin: 1. Februar 2021
- Englisch
- Abmessung: 231mm x 155mm x 18mm
- Gewicht: 440g
- ISBN-13: 9780190932640
- ISBN-10: 0190932643
- Artikelnr.: 59830131
Kyle Devine, Associate Professor, Department of Musicology, University of Oslo, Norway, Alexandrine Boudreault-Fournier, Associate Professor of Anthropology, University of Victoria, Canada Kyle Devine is Associate Professor in the Department of Musicology at the University of Oslo, Norway. He is the author of Decomposed: The Political Ecology of Music, which won a Professional and Scholarly Excellence (PROSE) Award from the Association of American Publishers as well as the IASPM Canada Book Prize. Alexandrine Boudreault-Fournier is Associate Professor of Anthropology at the University of Victoria, Canada. She is the author of Aerial Imagination in Cuba: Stories from Above the Rooftops and Editor-in-Chief of the journal Anthropologica. She directed the film Golden Scars, partially funded by the National Film Board of Canada, and codirected the films Guardians of the Night, Fabrik Funk, and The Eagle.
* Acknowledgements
* List of Contributors
* Section I: Introductions and Orientations
* Chapter 1: Making Infrastructures Audible: An Introduction
* Kyle Devine and Alexandrine Boudreault-Fournier
* Chapter 2: Rivers, Gatherings, and Infrastructures
* Will Straw
* Chapter 3: Making Music, Building Roads: A Reflection on Sound,
Materiality, and Social Transformation
* Penny Harvey
* Section II: Resources and Production
* Chapter 4: Glittery: Unearthed Histories of Music, Mica, and Work
* Alejandra Bronfman
* Chapter 5: Timber to Timbre: Fiji Mahogany Plantations and Gibson
Guitars
* José E. Martínez-Reyes
* Chapter 6: The Infrastructure and Environmental Consequences of Live
Music
* Matt Brennan
* Section III: Circulation and Transmission
* Chapter 7: Street Net and Electronic Music in Cuba
* Alexandrine Boudreault-Fournier
* Chapter 8: Sonopolis: Activist Infrastructures and Sonic Citizenship
in Athens
* Tom Western
* Chapter 9: Shadows of Black and White: Materialities and Medialities
in May Irwin's "Frog Song"
* Leslie C. Gay, Jr.
* Section IV: Failure and Waste
* Chapter 10: Another Side of Shellac: Cultural and Natural Cycles of
the Gramophone Disc
* Elodie A. Roy
* Chapter 11: The Sounds of Zombie Media: Waste and the Sustainable
Afterlives of Repurposed Technologies
* Lauren Flood
* Chapter 12: Electronic Music and the Problem of Electricity
* Gavin Steingo
* Index
* List of Contributors
* Section I: Introductions and Orientations
* Chapter 1: Making Infrastructures Audible: An Introduction
* Kyle Devine and Alexandrine Boudreault-Fournier
* Chapter 2: Rivers, Gatherings, and Infrastructures
* Will Straw
* Chapter 3: Making Music, Building Roads: A Reflection on Sound,
Materiality, and Social Transformation
* Penny Harvey
* Section II: Resources and Production
* Chapter 4: Glittery: Unearthed Histories of Music, Mica, and Work
* Alejandra Bronfman
* Chapter 5: Timber to Timbre: Fiji Mahogany Plantations and Gibson
Guitars
* José E. Martínez-Reyes
* Chapter 6: The Infrastructure and Environmental Consequences of Live
Music
* Matt Brennan
* Section III: Circulation and Transmission
* Chapter 7: Street Net and Electronic Music in Cuba
* Alexandrine Boudreault-Fournier
* Chapter 8: Sonopolis: Activist Infrastructures and Sonic Citizenship
in Athens
* Tom Western
* Chapter 9: Shadows of Black and White: Materialities and Medialities
in May Irwin's "Frog Song"
* Leslie C. Gay, Jr.
* Section IV: Failure and Waste
* Chapter 10: Another Side of Shellac: Cultural and Natural Cycles of
the Gramophone Disc
* Elodie A. Roy
* Chapter 11: The Sounds of Zombie Media: Waste and the Sustainable
Afterlives of Repurposed Technologies
* Lauren Flood
* Chapter 12: Electronic Music and the Problem of Electricity
* Gavin Steingo
* Index
* Acknowledgements
* List of Contributors
* Section I: Introductions and Orientations
* Chapter 1: Making Infrastructures Audible: An Introduction
* Kyle Devine and Alexandrine Boudreault-Fournier
* Chapter 2: Rivers, Gatherings, and Infrastructures
* Will Straw
* Chapter 3: Making Music, Building Roads: A Reflection on Sound,
Materiality, and Social Transformation
* Penny Harvey
* Section II: Resources and Production
* Chapter 4: Glittery: Unearthed Histories of Music, Mica, and Work
* Alejandra Bronfman
* Chapter 5: Timber to Timbre: Fiji Mahogany Plantations and Gibson
Guitars
* José E. Martínez-Reyes
* Chapter 6: The Infrastructure and Environmental Consequences of Live
Music
* Matt Brennan
* Section III: Circulation and Transmission
* Chapter 7: Street Net and Electronic Music in Cuba
* Alexandrine Boudreault-Fournier
* Chapter 8: Sonopolis: Activist Infrastructures and Sonic Citizenship
in Athens
* Tom Western
* Chapter 9: Shadows of Black and White: Materialities and Medialities
in May Irwin's "Frog Song"
* Leslie C. Gay, Jr.
* Section IV: Failure and Waste
* Chapter 10: Another Side of Shellac: Cultural and Natural Cycles of
the Gramophone Disc
* Elodie A. Roy
* Chapter 11: The Sounds of Zombie Media: Waste and the Sustainable
Afterlives of Repurposed Technologies
* Lauren Flood
* Chapter 12: Electronic Music and the Problem of Electricity
* Gavin Steingo
* Index
* List of Contributors
* Section I: Introductions and Orientations
* Chapter 1: Making Infrastructures Audible: An Introduction
* Kyle Devine and Alexandrine Boudreault-Fournier
* Chapter 2: Rivers, Gatherings, and Infrastructures
* Will Straw
* Chapter 3: Making Music, Building Roads: A Reflection on Sound,
Materiality, and Social Transformation
* Penny Harvey
* Section II: Resources and Production
* Chapter 4: Glittery: Unearthed Histories of Music, Mica, and Work
* Alejandra Bronfman
* Chapter 5: Timber to Timbre: Fiji Mahogany Plantations and Gibson
Guitars
* José E. Martínez-Reyes
* Chapter 6: The Infrastructure and Environmental Consequences of Live
Music
* Matt Brennan
* Section III: Circulation and Transmission
* Chapter 7: Street Net and Electronic Music in Cuba
* Alexandrine Boudreault-Fournier
* Chapter 8: Sonopolis: Activist Infrastructures and Sonic Citizenship
in Athens
* Tom Western
* Chapter 9: Shadows of Black and White: Materialities and Medialities
in May Irwin's "Frog Song"
* Leslie C. Gay, Jr.
* Section IV: Failure and Waste
* Chapter 10: Another Side of Shellac: Cultural and Natural Cycles of
the Gramophone Disc
* Elodie A. Roy
* Chapter 11: The Sounds of Zombie Media: Waste and the Sustainable
Afterlives of Repurposed Technologies
* Lauren Flood
* Chapter 12: Electronic Music and the Problem of Electricity
* Gavin Steingo
* Index