Audio Engineering Explained
Herausgeber: Self, Douglas
Audio Engineering Explained
Herausgeber: Self, Douglas
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Suitable for audio engineers, this book compiles sound engineering design material from the Focal and Newnes portfolio.
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Suitable for audio engineers, this book compiles sound engineering design material from the Focal and Newnes portfolio.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 650
- Erscheinungstermin: 11. Juli 2017
- Englisch
- Abmessung: 279mm x 219mm x 40mm
- Gewicht: 1726g
- ISBN-13: 9781138406599
- ISBN-10: 1138406597
- Artikelnr.: 48952393
- Verlag: Taylor & Francis
- Seitenzahl: 650
- Erscheinungstermin: 11. Juli 2017
- Englisch
- Abmessung: 279mm x 219mm x 40mm
- Gewicht: 1726g
- ISBN-13: 9781138406599
- ISBN-10: 1138406597
- Artikelnr.: 48952393
Douglas Self
Part I PART I Basics
Chapter 1 Fundamentals of Audio and Acoustics
Chapter 2 Introduction to Hearing
Part II PART II Microphones
Chapter 3 Basic Sound Transmission and Operational Forces on Microphones
Chapter 4 CHAPTER 4 Electrical Considerations and Electronic Interface, JohnEargle
Part III PART III Preamplifiers, Mixers, and Interconnects
Chapter 5 CHAPTER 5 Mixers, FrancisRumsey, TimMcCormick
Chapter 6 CHAPTER 6 Transmission Techniques: Wire and Cable
Chapter 7 Grounding and Interfacing, Bill Whitlock
Part IV PART IV Power Amplifiers
Chapter 8 CHAPTER 8 Power Amplifier Architecture and Negative Feedback
Chapter 9 CHAPTER 9 The General Principles of Power Amplifiers
Chapter 10 Chapter 10 Class-G Power amplifiers
Part V PART V Loudspeakers
Chapter 11 What is a Loudspeaker?
Chapter 12 CHAPTER 12 Diversity of Design
Chapter 13 Chapter 13 Loudspeaker Cabinets
Chapter 14 Crossovers
Part VI PART VI Digital Audio
Chapter 15 DSP Technology
Chapter 16 CHAPTER 16 MIDI
Part VII Acoustics and Sound Reinforcement
Chapter 17 Large Room Acoustics, Don Davis, Carolyn Davis
Chapter 18 CHAPTER 18 Sound System Equalization
Chapter 19 Reflections, Images, and the Precedence Effect
Part VIII Recording Studios
Chapter 20 CHAPTER 20 Sound Isolation
Chapter 21 Chapter 21 The Studio Environment Index
Chapter 1 Fundamentals of Audio and Acoustics
Chapter 2 Introduction to Hearing
Part II PART II Microphones
Chapter 3 Basic Sound Transmission and Operational Forces on Microphones
Chapter 4 CHAPTER 4 Electrical Considerations and Electronic Interface, JohnEargle
Part III PART III Preamplifiers, Mixers, and Interconnects
Chapter 5 CHAPTER 5 Mixers, FrancisRumsey, TimMcCormick
Chapter 6 CHAPTER 6 Transmission Techniques: Wire and Cable
Chapter 7 Grounding and Interfacing, Bill Whitlock
Part IV PART IV Power Amplifiers
Chapter 8 CHAPTER 8 Power Amplifier Architecture and Negative Feedback
Chapter 9 CHAPTER 9 The General Principles of Power Amplifiers
Chapter 10 Chapter 10 Class-G Power amplifiers
Part V PART V Loudspeakers
Chapter 11 What is a Loudspeaker?
Chapter 12 CHAPTER 12 Diversity of Design
Chapter 13 Chapter 13 Loudspeaker Cabinets
Chapter 14 Crossovers
Part VI PART VI Digital Audio
Chapter 15 DSP Technology
Chapter 16 CHAPTER 16 MIDI
Part VII Acoustics and Sound Reinforcement
Chapter 17 Large Room Acoustics, Don Davis, Carolyn Davis
Chapter 18 CHAPTER 18 Sound System Equalization
Chapter 19 Reflections, Images, and the Precedence Effect
Part VIII Recording Studios
Chapter 20 CHAPTER 20 Sound Isolation
Chapter 21 Chapter 21 The Studio Environment Index
Part I PART I Basics
Chapter 1 Fundamentals of Audio and Acoustics
Chapter 2 Introduction to Hearing
Part II PART II Microphones
Chapter 3 Basic Sound Transmission and Operational Forces on Microphones
Chapter 4 CHAPTER 4 Electrical Considerations and Electronic Interface, JohnEargle
Part III PART III Preamplifiers, Mixers, and Interconnects
Chapter 5 CHAPTER 5 Mixers, FrancisRumsey, TimMcCormick
Chapter 6 CHAPTER 6 Transmission Techniques: Wire and Cable
Chapter 7 Grounding and Interfacing, Bill Whitlock
Part IV PART IV Power Amplifiers
Chapter 8 CHAPTER 8 Power Amplifier Architecture and Negative Feedback
Chapter 9 CHAPTER 9 The General Principles of Power Amplifiers
Chapter 10 Chapter 10 Class-G Power amplifiers
Part V PART V Loudspeakers
Chapter 11 What is a Loudspeaker?
Chapter 12 CHAPTER 12 Diversity of Design
Chapter 13 Chapter 13 Loudspeaker Cabinets
Chapter 14 Crossovers
Part VI PART VI Digital Audio
Chapter 15 DSP Technology
Chapter 16 CHAPTER 16 MIDI
Part VII Acoustics and Sound Reinforcement
Chapter 17 Large Room Acoustics, Don Davis, Carolyn Davis
Chapter 18 CHAPTER 18 Sound System Equalization
Chapter 19 Reflections, Images, and the Precedence Effect
Part VIII Recording Studios
Chapter 20 CHAPTER 20 Sound Isolation
Chapter 21 Chapter 21 The Studio Environment Index
Chapter 1 Fundamentals of Audio and Acoustics
Chapter 2 Introduction to Hearing
Part II PART II Microphones
Chapter 3 Basic Sound Transmission and Operational Forces on Microphones
Chapter 4 CHAPTER 4 Electrical Considerations and Electronic Interface, JohnEargle
Part III PART III Preamplifiers, Mixers, and Interconnects
Chapter 5 CHAPTER 5 Mixers, FrancisRumsey, TimMcCormick
Chapter 6 CHAPTER 6 Transmission Techniques: Wire and Cable
Chapter 7 Grounding and Interfacing, Bill Whitlock
Part IV PART IV Power Amplifiers
Chapter 8 CHAPTER 8 Power Amplifier Architecture and Negative Feedback
Chapter 9 CHAPTER 9 The General Principles of Power Amplifiers
Chapter 10 Chapter 10 Class-G Power amplifiers
Part V PART V Loudspeakers
Chapter 11 What is a Loudspeaker?
Chapter 12 CHAPTER 12 Diversity of Design
Chapter 13 Chapter 13 Loudspeaker Cabinets
Chapter 14 Crossovers
Part VI PART VI Digital Audio
Chapter 15 DSP Technology
Chapter 16 CHAPTER 16 MIDI
Part VII Acoustics and Sound Reinforcement
Chapter 17 Large Room Acoustics, Don Davis, Carolyn Davis
Chapter 18 CHAPTER 18 Sound System Equalization
Chapter 19 Reflections, Images, and the Precedence Effect
Part VIII Recording Studios
Chapter 20 CHAPTER 20 Sound Isolation
Chapter 21 Chapter 21 The Studio Environment Index