Michel Chionâ s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment.
Michel Chionâ s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment.
Michel Chion. Foreword by Walter Murch. Edited and translated by Claudia Gorbman
Inhaltsangabe
Foreword (1994), by Walter Murch Preface Part I. The Audiovisual Contract 1. Projections of Sound on Image 2. The Three Listening Modes 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations 4. The Audiovisual Scene 5. The Real and the Rendered 6. Phantom Audio-Vision; or, The Audio-Divisual Part II. Beyond Sounds and Images 7. Sound Film Worthy of the Name 8. Toward an Audio-Logo-Visual Poetics 9. An Introduction to Audiovisual Analysis Glossary Chronology: Landmarks of the Sound Film Notes Bibliography Index
Foreword (1994), by Walter Murch Preface Part I. The Audiovisual Contract 1. Projections of Sound on Image 2. The Three Listening Modes 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations 4. The Audiovisual Scene 5. The Real and the Rendered 6. Phantom Audio-Vision; or, The Audio-Divisual Part II. Beyond Sounds and Images 7. Sound Film Worthy of the Name 8. Toward an Audio-Logo-Visual Poetics 9. An Introduction to Audiovisual Analysis Glossary Chronology: Landmarks of the Sound Film Notes Bibliography Index
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