This new book fully expands our understanding of how historically marginalized groups are represented in music videos. Author Michael Austin explores the ways in which Asian and Pacific Islanders, Indigenous communities, the LGBTQIA+ community, drag performers, religious minorities, and the incarcerated are represented. The book also covers several contemporary controversies involving music videos, especially cultural appropriation. Importantly, this book also explores the ways in which marginalized communities use music videos as a way to find their own voice and represent themselves.
This new book fully expands our understanding of how historically marginalized groups are represented in music videos. Author Michael Austin explores the ways in which Asian and Pacific Islanders, Indigenous communities, the LGBTQIA+ community, drag performers, religious minorities, and the incarcerated are represented. The book also covers several contemporary controversies involving music videos, especially cultural appropriation. Importantly, this book also explores the ways in which marginalized communities use music videos as a way to find their own voice and represent themselves.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michael L. Austin is currently Senior Lecturer in Music & Sound and Programme Leader - Music Production at Edge Hill University, Ormskirk, England. He previously served as the founding director of the School of Music at Louisiana Tech University and as Associate Professor of Media, Journalism, and Film and founding coordinator for the Interdisciplinary Studies Program in the Cathy Hughes School of Communications at Howard University. He is editor of Music Video Games: Performance, Politics, and Play (2016), and his research focuses on music and sound in emerging and interactive media.
Inhaltsangabe
* Acknowledgements * Introduction * Chapter 1. "Dead Giveaway": Blaxploitation Aesthetics and Viral Music Videos * Chapter 2. China Dolls and Polynesian Beefcakes: Asians and Pacific Islanders in Music Videos * Chapter 3. Digital Natives and Cultural Tourists: Indigenous Peoples in Music Videos * Chapter 4. Camp, Kitsch, and Cowboys: Queerin' Country Music Videos * Chapter 5. Iconic and Iconoclastic Representations of New Religious Movements in Music Videos * Chapter 6. How to Make a Prison Music Video If You've Never Been to Prison * Afterword * Index
* Acknowledgements * Introduction * Chapter 1. "Dead Giveaway": Blaxploitation Aesthetics and Viral Music Videos * Chapter 2. China Dolls and Polynesian Beefcakes: Asians and Pacific Islanders in Music Videos * Chapter 3. Digital Natives and Cultural Tourists: Indigenous Peoples in Music Videos * Chapter 4. Camp, Kitsch, and Cowboys: Queerin' Country Music Videos * Chapter 5. Iconic and Iconoclastic Representations of New Religious Movements in Music Videos * Chapter 6. How to Make a Prison Music Video If You've Never Been to Prison * Afterword * Index
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