47,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
Melden Sie sich
hier
hier
für den Produktalarm an, um über die Verfügbarkeit des Produkts informiert zu werden.
- Broschiertes Buch
Auditions are an integral part of every performer's life. From getting into drama school, through to a successful career in an overcrowded industry, Auditions: The Complete Guide offers crucial advice and tried-and-tested techniques to maximise success before, during and after each audition.
Andere Kunden interessierten sich auch für
- Cara HarkerFoundations for Performance Training32,99 €
- Karen KohlhaasThe Monologue Audition19,99 €
- Paul WheelerHigh Definition Cinematography196,99 €
- Henri Saint-Simon, (1760-1825) (RLE Social Theory)40,99 €
- Trev WilkinsAccess All Areas196,99 €
- Kristen J. WarnerThe Cultural Politics of Colorblind TV Casting65,99 €
- Rich NewmanCinematic Game Secrets for Creative Directors and Producers187,99 €
-
-
-
Auditions are an integral part of every performer's life. From getting into drama school, through to a successful career in an overcrowded industry, Auditions: The Complete Guide offers crucial advice and tried-and-tested techniques to maximise success before, during and after each audition.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- 2 ed
- Seitenzahl: 342
- Erscheinungstermin: 15. April 2014
- Englisch
- Abmessung: 198mm x 128mm x 22mm
- Gewicht: 368g
- ISBN-13: 9781138015166
- ISBN-10: 1138015164
- Artikelnr.: 40321862
- Verlag: Taylor & Francis Ltd
- 2 ed
- Seitenzahl: 342
- Erscheinungstermin: 15. April 2014
- Englisch
- Abmessung: 198mm x 128mm x 22mm
- Gewicht: 368g
- ISBN-13: 9781138015166
- ISBN-10: 1138015164
- Artikelnr.: 40321862
Richard Evans CDG has cast a wide variety of productions in all media since 1989, and worked prior to this as an actor for 10 years. He has devised and presented audition and career development workshops at the Actors' Centre in London and Manchester, and at many top drama and theatre schools, as well as writing 'A Casting Director's Perspective' for The Actors' Yearbook , 2005. He is a member of The Casting Directors' Guild of Great Britain and Ireland.
Contents
Introduction
Acknowledgements
PART 1 BEFORE
1 How a Production is Cast
2 Where to find Auditions
3 Preparation and Research
4 Submitting Yourself for Work
5 Showreels
6 Showcases
7 Networking
8 Agents
9 Audition Log
10 Audition Wardrobe
11 Perceptions
12 The Power of Positive Thinking
13 Gatecrashing
PART 2 DURING
14 Entrances and Exits
15 Nerves
16 Drama and Theatre Schools
17 Amateur vs Professional
18 Theatre
19 Musical Theatre
20 Actor/Musicians
21 Recalls and Workshop Auditions
22 Television
23 Films and Screen Tests
24 Self Taping
25 Commercial Castings
26 Roleplay
27 Corporate Training Films
28 Radio Drama
29 Voice Work
30 Presenting
31 Interview Technique
32 Awkward Questions
33 Is Timing Everything?
34 In the Mood
35 Friend or Foe?
36 Actors Who Know Too Much
37 Same Old Faces
38 Recasts
39 The Casting Couch
PART 3 AFTER
40 Red Letter Days
41 Success
42 Negotiation
43 Rejection
44 Follow Ups
45 Turning Down Work
46 Help! What if . . . ?
47 A Diary of an Audition
48 Final Thoughts
Index
Introduction
Acknowledgements
PART 1 BEFORE
1 How a Production is Cast
2 Where to find Auditions
3 Preparation and Research
4 Submitting Yourself for Work
5 Showreels
6 Showcases
7 Networking
8 Agents
9 Audition Log
10 Audition Wardrobe
11 Perceptions
12 The Power of Positive Thinking
13 Gatecrashing
PART 2 DURING
14 Entrances and Exits
15 Nerves
16 Drama and Theatre Schools
17 Amateur vs Professional
18 Theatre
19 Musical Theatre
20 Actor/Musicians
21 Recalls and Workshop Auditions
22 Television
23 Films and Screen Tests
24 Self Taping
25 Commercial Castings
26 Roleplay
27 Corporate Training Films
28 Radio Drama
29 Voice Work
30 Presenting
31 Interview Technique
32 Awkward Questions
33 Is Timing Everything?
34 In the Mood
35 Friend or Foe?
36 Actors Who Know Too Much
37 Same Old Faces
38 Recasts
39 The Casting Couch
PART 3 AFTER
40 Red Letter Days
41 Success
42 Negotiation
43 Rejection
44 Follow Ups
45 Turning Down Work
46 Help! What if . . . ?
47 A Diary of an Audition
48 Final Thoughts
Index
Contents
Introduction
Acknowledgements
PART 1 BEFORE
1 How a Production is Cast
2 Where to find Auditions
3 Preparation and Research
4 Submitting Yourself for Work
5 Showreels
6 Showcases
7 Networking
8 Agents
9 Audition Log
10 Audition Wardrobe
11 Perceptions
12 The Power of Positive Thinking
13 Gatecrashing
PART 2 DURING
14 Entrances and Exits
15 Nerves
16 Drama and Theatre Schools
17 Amateur vs Professional
18 Theatre
19 Musical Theatre
20 Actor/Musicians
21 Recalls and Workshop Auditions
22 Television
23 Films and Screen Tests
24 Self Taping
25 Commercial Castings
26 Roleplay
27 Corporate Training Films
28 Radio Drama
29 Voice Work
30 Presenting
31 Interview Technique
32 Awkward Questions
33 Is Timing Everything?
34 In the Mood
35 Friend or Foe?
36 Actors Who Know Too Much
37 Same Old Faces
38 Recasts
39 The Casting Couch
PART 3 AFTER
40 Red Letter Days
41 Success
42 Negotiation
43 Rejection
44 Follow Ups
45 Turning Down Work
46 Help! What if . . . ?
47 A Diary of an Audition
48 Final Thoughts
Index
Introduction
Acknowledgements
PART 1 BEFORE
1 How a Production is Cast
2 Where to find Auditions
3 Preparation and Research
4 Submitting Yourself for Work
5 Showreels
6 Showcases
7 Networking
8 Agents
9 Audition Log
10 Audition Wardrobe
11 Perceptions
12 The Power of Positive Thinking
13 Gatecrashing
PART 2 DURING
14 Entrances and Exits
15 Nerves
16 Drama and Theatre Schools
17 Amateur vs Professional
18 Theatre
19 Musical Theatre
20 Actor/Musicians
21 Recalls and Workshop Auditions
22 Television
23 Films and Screen Tests
24 Self Taping
25 Commercial Castings
26 Roleplay
27 Corporate Training Films
28 Radio Drama
29 Voice Work
30 Presenting
31 Interview Technique
32 Awkward Questions
33 Is Timing Everything?
34 In the Mood
35 Friend or Foe?
36 Actors Who Know Too Much
37 Same Old Faces
38 Recasts
39 The Casting Couch
PART 3 AFTER
40 Red Letter Days
41 Success
42 Negotiation
43 Rejection
44 Follow Ups
45 Turning Down Work
46 Help! What if . . . ?
47 A Diary of an Audition
48 Final Thoughts
Index