Modern concert halls and opera houses are now very specialized buildings with special acoustical characteristics. This is an important resource for architects, engineers and auditorium technicians.
Modern concert halls and opera houses are now very specialized buildings with special acoustical characteristics. This is an important resource for architects, engineers and auditorium technicians.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michael Barron was a Senior Lecturer for 21 years at the University of Bath Department of Architecture and Civil Engineering and Partner of Fleming & Barron acoustic consultants. He has been involved over many years in acoustic consultancy and research, of which a key project was an Acoustic Survey of British Auditoria. In 2006 he received the Rayleigh medal, the premier award of the (British) Institute of Acoustics.
Inhaltsangabe
1. Introduction 2. Sound and Rooms 3. Acoustics for the Symphony Concert Hall 4. The Development of the Concert Hall 5. British Concert Halls and Conclusions for Concert Hall Acoustics 6. Chamber Music and Recital Halls 7. Acoustics for Speech 8. Theatre Acoustics 9. Acoustics for Opera 10. Acoustics for Multi-Purpose Use 11. Multi-Purpose Halls in Britain 12. The Art and Science of Acoustics Appendix A: Sound Reflection and Reverberation Calculation Appendix B: Objective Measures for Music Auditoria Appendix C: Further Objective Results in Concert Halls Appendix D: Objective Measures for Speech Auditoria
1. Introduction 2. Sound and Rooms 3. Acoustics for the Symphony Concert Hall 4. The Development of the Concert Hall 5. British Concert Halls and Conclusions for Concert Hall Acoustics 6. Chamber Music and Recital Halls 7. Acoustics for Speech 8. Theatre Acoustics 9. Acoustics for Opera 10. Acoustics for Multi-Purpose Use 11. Multi-Purpose Halls in Britain 12. The Art and Science of Acoustics Appendix A: Sound Reflection and Reverberation Calculation Appendix B: Objective Measures for Music Auditoria Appendix C: Further Objective Results in Concert Halls Appendix D: Objective Measures for Speech Auditoria
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