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A new novel from the Booker Prize finalist Deborah Levy, the celebrated author of The Man Who Saw Everything and The Cost of Living. At the height of her career, the piano virtuoso Elsa M. Anderson-former child prodigy, now in her thirties-walks off the stage in Vienna, midperformance. Now she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history. So begins her journey across Europe, shadowed by the…mehr

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Produktbeschreibung
A new novel from the Booker Prize finalist Deborah Levy, the celebrated author of The Man Who Saw Everything and The Cost of Living. At the height of her career, the piano virtuoso Elsa M. Anderson-former child prodigy, now in her thirties-walks off the stage in Vienna, midperformance. Now she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history. So begins her journey across Europe, shadowed by the elusive woman who seems to be her double. A dazzling portrait of melancholy and metamorphosis, Deborah Levy's August Blue uncovers the ways in which we attempt to revise our oldest stories and make ourselves anew.
Autorenporträt
Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company, broadcast on the BBC, and widely translated. She is the author of several highly praised novels, including The Man Who Saw Everything (long-listed for the Booker Prize), Hot Milk and Swimming Home (both Man Booker Prize finalists), The Unloved, and Billy and Girl; the acclaimed story collection Black Vodka; and a three-part autobiography, Things I Don't Want to Know, The Cost of Living, and Real Estate. She lives in London and is a fellow of the Royal Society of Literature.
Rezensionen
Intelligent and absurd, precise and dream-like . . . I know of few other authors who can capture an atmosphere of the eerie and the bizarre as well as she does The Scotsman