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This is a fully edited translation of a series of essays by the great Swedish dramatist August Strindberg.
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This is a fully edited translation of a series of essays by the great Swedish dramatist August Strindberg.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 27. Oktober 2006
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 490g
- ISBN-13: 9780521034418
- ISBN-10: 0521034418
- Artikelnr.: 21147290
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 27. Oktober 2006
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 490g
- ISBN-13: 9780521034418
- ISBN-10: 0521034418
- Artikelnr.: 21147290
August Strindberg (1849-1912) was a Swedish playwright, novelist, poet, essayist, and painter, considered one of the most influential figures in Scandinavian literature and modern drama. His works are characterized by their exploration of psychological complexity, naturalism, and symbolism, often challenging conventional norms and exploring existential themes. Born in Stockholm, Sweden, Strindberg began his career as a journalist and writer, initially gaining recognition for his early novels and short stories. However, it was his contributions to drama that solidified his reputation. Strindberg's plays, such as "Miss Julie" (1888), "The Father" (1887), and "A Dream Play" (1902), are renowned for their intense psychological realism and innovative narrative techniques. He is credited with pioneering techniques in modernist theater and influencing playwrights and directors worldwide. Beyond drama, Strindberg's literary output includes novels, essays, poetry, and autobiographical works. His novels, like "The Red Room" (1879) and "The People of Hemsö" (1887), reflect his interest in naturalism and social criticism, often depicting the struggles of individuals against societal constraints. Strindberg's writing also reflects his tumultuous personal life and evolving philosophical outlook, which ranged from skepticism and naturalism to mysticism and expressionism. His exploration of themes such as identity, madness, gender roles, and the human condition continues to resonate with readers and scholars alike. In addition to his literary pursuits, Strindberg was a prolific painter and photographer, exploring symbolism and expressionism in visual art. His multifaceted creativity and intellectual curiosity have left a lasting legacy, making him a central figure in the development of modern literature and theater. August Strindberg's works continue to be studied and performed worldwide, celebrated for their profound insight into the complexities of human relationships and the existential dilemmas of modern life.
Notes on the text
Introduction
Part I. From Vivisections (1887): 1. 'The battle of the brains'
2. 'Nemesis Divina'
3. 'Mysticism - for now'
4. 'Soul murder (Apropos Rosmersholm)'
'On modern drama and modern theatre' (1889)
Part II. From Vivisections II (1894): 5. 'I'
6. 'The making of Aspasia'
7. 'Nemesis Divina (cont.)'
8. 'The new arts! or the role of chance in artistic creation'
9. 'Whence we have come'
10. 'Character a role?'
'Césarine' (1894)
'Deranged sensations' (1894)
'In the cemetery' (1896)
Part III. From Jardin des Plantes (1896): 11. 'Introduction'
12. 'The death's head moth'
13. 'Indigo and the line of copper'
14. 'To the heckler'
'On the action of light in photography' (1896)
'A glance into space' (1896)
'Edvard Munch's exhibition' (1896)
'The synthesis of gold' (1896)
'Contemporary gold-making' (1896)
'The sunflower' (1896)
'The mysticism of world history' (1903)
'August Strindberg on himself' (1909)
Notes and commentary
Index.
Introduction
Part I. From Vivisections (1887): 1. 'The battle of the brains'
2. 'Nemesis Divina'
3. 'Mysticism - for now'
4. 'Soul murder (Apropos Rosmersholm)'
'On modern drama and modern theatre' (1889)
Part II. From Vivisections II (1894): 5. 'I'
6. 'The making of Aspasia'
7. 'Nemesis Divina (cont.)'
8. 'The new arts! or the role of chance in artistic creation'
9. 'Whence we have come'
10. 'Character a role?'
'Césarine' (1894)
'Deranged sensations' (1894)
'In the cemetery' (1896)
Part III. From Jardin des Plantes (1896): 11. 'Introduction'
12. 'The death's head moth'
13. 'Indigo and the line of copper'
14. 'To the heckler'
'On the action of light in photography' (1896)
'A glance into space' (1896)
'Edvard Munch's exhibition' (1896)
'The synthesis of gold' (1896)
'Contemporary gold-making' (1896)
'The sunflower' (1896)
'The mysticism of world history' (1903)
'August Strindberg on himself' (1909)
Notes and commentary
Index.
Notes on the text
Introduction
Part I. From Vivisections (1887): 1. 'The battle of the brains'
2. 'Nemesis Divina'
3. 'Mysticism - for now'
4. 'Soul murder (Apropos Rosmersholm)'
'On modern drama and modern theatre' (1889)
Part II. From Vivisections II (1894): 5. 'I'
6. 'The making of Aspasia'
7. 'Nemesis Divina (cont.)'
8. 'The new arts! or the role of chance in artistic creation'
9. 'Whence we have come'
10. 'Character a role?'
'Césarine' (1894)
'Deranged sensations' (1894)
'In the cemetery' (1896)
Part III. From Jardin des Plantes (1896): 11. 'Introduction'
12. 'The death's head moth'
13. 'Indigo and the line of copper'
14. 'To the heckler'
'On the action of light in photography' (1896)
'A glance into space' (1896)
'Edvard Munch's exhibition' (1896)
'The synthesis of gold' (1896)
'Contemporary gold-making' (1896)
'The sunflower' (1896)
'The mysticism of world history' (1903)
'August Strindberg on himself' (1909)
Notes and commentary
Index.
Introduction
Part I. From Vivisections (1887): 1. 'The battle of the brains'
2. 'Nemesis Divina'
3. 'Mysticism - for now'
4. 'Soul murder (Apropos Rosmersholm)'
'On modern drama and modern theatre' (1889)
Part II. From Vivisections II (1894): 5. 'I'
6. 'The making of Aspasia'
7. 'Nemesis Divina (cont.)'
8. 'The new arts! or the role of chance in artistic creation'
9. 'Whence we have come'
10. 'Character a role?'
'Césarine' (1894)
'Deranged sensations' (1894)
'In the cemetery' (1896)
Part III. From Jardin des Plantes (1896): 11. 'Introduction'
12. 'The death's head moth'
13. 'Indigo and the line of copper'
14. 'To the heckler'
'On the action of light in photography' (1896)
'A glance into space' (1896)
'Edvard Munch's exhibition' (1896)
'The synthesis of gold' (1896)
'Contemporary gold-making' (1896)
'The sunflower' (1896)
'The mysticism of world history' (1903)
'August Strindberg on himself' (1909)
Notes and commentary
Index.