August Strindberg's One-Act Plays - Strindberg, August
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To most English-language readers and theatre goers, Strindberg is mainly known for naturalistic plays such as 'Miss Julie' and 'The Father', but the dramatic production of Sweden's national playwright is infinitely richer and more extensive than these would suggest. This volume presents four of Strindberg's lesser known one act plays, 'The Bond', 'Facing Death', 'The Outlaw' and 'Simoom', written between 1871 and 1892, which showcase Strindberg's remarkable range. 'The Bond' and 'Facing Death', which fall at the end of the time span, are familiarly naturalistic plays set in contemporary…mehr

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Produktbeschreibung
To most English-language readers and theatre goers, Strindberg is mainly known for naturalistic plays such as 'Miss Julie' and 'The Father', but the dramatic production of Sweden's national playwright is infinitely richer and more extensive than these would suggest. This volume presents four of Strindberg's lesser known one act plays, 'The Bond', 'Facing Death', 'The Outlaw' and 'Simoom', written between 1871 and 1892, which showcase Strindberg's remarkable range. 'The Bond' and 'Facing Death', which fall at the end of the time span, are familiarly naturalistic plays set in contemporary European settings which demonstrate Strindberg's provocative engagement with contentious issues of his day. The early experiment 'The Outlaw', however, takes place in the frigid landscapes of the Viking north, drawing heavily on the style of Icelandic sagas. In Simoom, written in 1889, a practically gothic narrative transports us to the scorching deserts of French colonised Algeria, allowing us to observe the beginnings of Strindberg's experimental, mystical phase which culminated in 'A Dream Play'. Different as the four plays are, however, when read together they form a thematic unity, revealing the beating heart of Strindberg's creativity, the issue at the core of his writing: love as a war eternally waged man and woman, husband and wife, children and parents and individuals and society. The four plays were translated from the Swedish by Agnes Broomé, Anna Holmwood, John K Mitchinson, Mathelinda Nabugodi, Anna Tebelius and Nichola Smalley.
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Autorenporträt
August Strindberg (1849-1912) was a Swedish playwright, novelist, poet, essayist, and painter, considered one of the most influential figures in Scandinavian literature and modern drama. His works are characterized by their exploration of psychological complexity, naturalism, and symbolism, often challenging conventional norms and exploring existential themes. Born in Stockholm, Sweden, Strindberg began his career as a journalist and writer, initially gaining recognition for his early novels and short stories. However, it was his contributions to drama that solidified his reputation. Strindberg's plays, such as "Miss Julie" (1888), "The Father" (1887), and "A Dream Play" (1902), are renowned for their intense psychological realism and innovative narrative techniques. He is credited with pioneering techniques in modernist theater and influencing playwrights and directors worldwide. Beyond drama, Strindberg's literary output includes novels, essays, poetry, and autobiographical works. His novels, like "The Red Room" (1879) and "The People of Hemsö" (1887), reflect his interest in naturalism and social criticism, often depicting the struggles of individuals against societal constraints. Strindberg's writing also reflects his tumultuous personal life and evolving philosophical outlook, which ranged from skepticism and naturalism to mysticism and expressionism. His exploration of themes such as identity, madness, gender roles, and the human condition continues to resonate with readers and scholars alike. In addition to his literary pursuits, Strindberg was a prolific painter and photographer, exploring symbolism and expressionism in visual art. His multifaceted creativity and intellectual curiosity have left a lasting legacy, making him a central figure in the development of modern literature and theater. August Strindberg's works continue to be studied and performed worldwide, celebrated for their profound insight into the complexities of human relationships and the existential dilemmas of modern life.