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This essay offers a thorough analysis of Augusta Read Thomas's second violin concerto, Carillon Sky (2005). The work is compared with her solo violin work Caprice, written at the same time, as well as the similar Berio's work Sequenza VI and Chemins II. The analysis is divided into two sections: form and structure, and harmony and motive, focusing on a series of recurring chords and gestures. The essay concludes with a discussion of interpretative and performance issues, and a discussion of the work's optional cadenza. I hope that any performer interested in Thomas's compositions can use this essay as a starting point into her musical world.…mehr

Produktbeschreibung
This essay offers a thorough analysis of Augusta Read Thomas's second violin concerto, Carillon Sky (2005). The work is compared with her solo violin work Caprice, written at the same time, as well as the similar Berio's work Sequenza VI and Chemins II. The analysis is divided into two sections: form and structure, and harmony and motive, focusing on a series of recurring chords and gestures. The essay concludes with a discussion of interpretative and performance issues, and a discussion of the work's optional cadenza. I hope that any performer interested in Thomas's compositions can use this essay as a starting point into her musical world.
Autorenporträt
Violinist Mei-Fang Wang, a native of Taiwan, has been honored as the first prize winner of the Paul Rolland Memorial Competition, and the second place winner of the American Protégé International Piano and Strings Competition. She earned her Doctor of Musical Arts degree at the University of Illinois at Urbana-Champaign.