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Augustown - Miller, Kei
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PEN OPEN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: Slate • Publishers Weekly • Kirkus Reviews • Milwaukee Journal-Sentinel Ma Taffy may be blind but she sees everything. So when her great-nephew Kaia comes home from school in tears, what she senses sends a deep fear running through her. A teacher has cut off Kaia's dreadlocks-a violation of the family's Rastafari beliefs-and this single impulsive action will have ramifications that stretch throughout the entire community. Kaia's story brings back memories from Ma Taffy's youth, including the legend of the flying preacherman and…mehr

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Produktbeschreibung
PEN OPEN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: Slate • Publishers Weekly • Kirkus Reviews • Milwaukee Journal-Sentinel Ma Taffy may be blind but she sees everything. So when her great-nephew Kaia comes home from school in tears, what she senses sends a deep fear running through her. A teacher has cut off Kaia's dreadlocks-a violation of the family's Rastafari beliefs-and this single impulsive action will have ramifications that stretch throughout the entire community. Kaia's story brings back memories from Ma Taffy's youth, including the legend of the flying preacherman and his ties to the history of Jamaican oppression and resistance-all of which will reverberate forward to the present and change Augustown forever. Vividly bringing to life Jamaica in the 1980s, Augustown follows one family's struggle to rise above the brutal vicissitudes of history, race, class, collective memory, violence, and myth.
Autorenporträt
KEI MILLER is the author of two previous novels, several poetry collections, and Fear of Stones and Other Stories, which was short-listed for the Commonwealth Writer's Prize for Best First Book. In 2014, he won the Forward Prize for Best Poetry Collection for The Cartographer Tries to Map a Way to Zion. Born in Jamaica, he lives in London and teaches creative writing at Royal Holloway, University of London.
Rezensionen
This is my ultimate beach read. It has an explosive beginning that draws in a reader in the best way, excellent storytelling, incredible prose. It will keep you absorbed until the sun goes down Reni Eddo-Lodge, author of Why I'm No Longer Talking to White People About Race