Aural Architecture in Byzantium
Music, Acoustics, and Ritual
Herausgeber: Pentcheva, Bissera
Aural Architecture in Byzantium
Music, Acoustics, and Ritual
Herausgeber: Pentcheva, Bissera
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Aural architecture identifies those features of a building that can be perceived by the act of listening in them.
Andere Kunden interessierten sich auch für
- George Edmund StreetSome Account of Gothic Architecture in Spain38,99 €
- The Chronology Of Mediã]val And Renaissance Architecture25,99 €
- Paul WilliamsonMedieval and Later Treasures from a Private Collection30,99 €
- Federica GoffiTime Matter(s): Invention and Re-Imagination in Built Conservation77,99 €
- Samuli SimeliusPompeian Peristyle Gardens58,99 €
- Banaras65,99 €
- Sherin WingDesigning Sacred Spaces54,99 €
-
-
-
Aural architecture identifies those features of a building that can be perceived by the act of listening in them.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 272
- Erscheinungstermin: 5. Februar 2019
- Englisch
- Abmessung: 246mm x 174mm x 15mm
- Gewicht: 454g
- ISBN-13: 9780367231842
- ISBN-10: 0367231840
- Artikelnr.: 55812824
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 272
- Erscheinungstermin: 5. Februar 2019
- Englisch
- Abmessung: 246mm x 174mm x 15mm
- Gewicht: 454g
- ISBN-13: 9780367231842
- ISBN-10: 0367231840
- Artikelnr.: 55812824
Bissera V. Pentcheva is professor of medieval art at Stanford University, USA. She has published three books to date: Icons and Power: The Mother of God in Byzantium, The Sensual Icon: Space, Ritual, and the Senses in Byzantium, and Hagia Sophia: Sound, Space, and Spirit in Byzantium. Her articles on phenomenology and aesthetics of medieval art have appeared in the Art Bulletin, Gesta, Speculum, RES Journal of Anthropology and Aesthetics, Performance Research International, and Dumbarton Oaks Papers.
Introduction
Bissera V. Pentcheva 1. Aural Architecture in Jerusalem, Rome,
Constantinople, and Alexandria
Peter Jeffery 2. The Great Outdoors: Liturgical Encounters with the Early
Medieval Armenian Church
Christina Maranci 3. Byzantine Chant Notation: Written Documents in an
Aural Tradition
Christian Troelsgård 4. Understanding Liturgy in the Byzantine Liturgical
Commentaries
Walter D. Ray 5. Christ's All-Seeing Eye in the Dome
Ravinder Binning 6. Transfigured: Mosaic and Liturgy at Nea Moni
Lora Webb 7. We Who Musically Represent the Cherubim
Laura Steenberge 8. Spatial Embodiment and Agency in Ekphraseis of Church
Buildings
Ruth Webb 9. The Acoustics of Hagia Sophia: A Scientific Approach to the
Humanities and Sacred Space
Wieslaw Woszczyk 10. Live Auralization of Cappella Romana at the Bing
Concert Hall, Stanford University
Jonathan S. Abel and Kurt Werner
Bissera V. Pentcheva 1. Aural Architecture in Jerusalem, Rome,
Constantinople, and Alexandria
Peter Jeffery 2. The Great Outdoors: Liturgical Encounters with the Early
Medieval Armenian Church
Christina Maranci 3. Byzantine Chant Notation: Written Documents in an
Aural Tradition
Christian Troelsgård 4. Understanding Liturgy in the Byzantine Liturgical
Commentaries
Walter D. Ray 5. Christ's All-Seeing Eye in the Dome
Ravinder Binning 6. Transfigured: Mosaic and Liturgy at Nea Moni
Lora Webb 7. We Who Musically Represent the Cherubim
Laura Steenberge 8. Spatial Embodiment and Agency in Ekphraseis of Church
Buildings
Ruth Webb 9. The Acoustics of Hagia Sophia: A Scientific Approach to the
Humanities and Sacred Space
Wieslaw Woszczyk 10. Live Auralization of Cappella Romana at the Bing
Concert Hall, Stanford University
Jonathan S. Abel and Kurt Werner
Introduction
Bissera V. Pentcheva 1. Aural Architecture in Jerusalem, Rome,
Constantinople, and Alexandria
Peter Jeffery 2. The Great Outdoors: Liturgical Encounters with the Early
Medieval Armenian Church
Christina Maranci 3. Byzantine Chant Notation: Written Documents in an
Aural Tradition
Christian Troelsgård 4. Understanding Liturgy in the Byzantine Liturgical
Commentaries
Walter D. Ray 5. Christ's All-Seeing Eye in the Dome
Ravinder Binning 6. Transfigured: Mosaic and Liturgy at Nea Moni
Lora Webb 7. We Who Musically Represent the Cherubim
Laura Steenberge 8. Spatial Embodiment and Agency in Ekphraseis of Church
Buildings
Ruth Webb 9. The Acoustics of Hagia Sophia: A Scientific Approach to the
Humanities and Sacred Space
Wieslaw Woszczyk 10. Live Auralization of Cappella Romana at the Bing
Concert Hall, Stanford University
Jonathan S. Abel and Kurt Werner
Bissera V. Pentcheva 1. Aural Architecture in Jerusalem, Rome,
Constantinople, and Alexandria
Peter Jeffery 2. The Great Outdoors: Liturgical Encounters with the Early
Medieval Armenian Church
Christina Maranci 3. Byzantine Chant Notation: Written Documents in an
Aural Tradition
Christian Troelsgård 4. Understanding Liturgy in the Byzantine Liturgical
Commentaries
Walter D. Ray 5. Christ's All-Seeing Eye in the Dome
Ravinder Binning 6. Transfigured: Mosaic and Liturgy at Nea Moni
Lora Webb 7. We Who Musically Represent the Cherubim
Laura Steenberge 8. Spatial Embodiment and Agency in Ekphraseis of Church
Buildings
Ruth Webb 9. The Acoustics of Hagia Sophia: A Scientific Approach to the
Humanities and Sacred Space
Wieslaw Woszczyk 10. Live Auralization of Cappella Romana at the Bing
Concert Hall, Stanford University
Jonathan S. Abel and Kurt Werner