Australian Television and International Mediascapes
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This book addresses current debates about globalisation and culture by tracing the emergence of Australia as a significant exporter of television to the world market. The authors investigate why Australian programmes have found such international popularity. The text examines the Australian industry and the international television marketplace. It also looks at the impact of Australian programmes on the television cultures of the importing countries. The authors outline policy implications and speculate on future directions of Australian television.Table of contents:Part I. Global Mediascapes:...
This book addresses current debates about globalisation and culture by tracing the emergence of Australia as a significant exporter of television to the world market. The authors investigate why Australian programmes have found such international popularity. The text examines the Australian industry and the international television marketplace. It also looks at the impact of Australian programmes on the television cultures of the importing countries. The authors outline policy implications and speculate on future directions of Australian television.
Table of contents:
Part I. Global Mediascapes: Theory and Industry: 1. Theoretical perspectives; 2. Globalisation and international television trade; Part II. The Domestic Optic: Australian Industry, Culture and Production: 3. The Australian television culture; 4. Production companies I; 5. Production companies II; Part III. The International Optic: TV Ecologies and Australian Programs: 6. The UK and Ireland; 7. Europe; 8. USA and Canada; 9. East Asia; 10. New Zealand Geoff Lealand; 11. Papua New Guinea and the South West Pacific Helen Wilson; Part IV. Conclusion: 12. Benefits and drawback of internationalisation.
This book addresses current debates about globalisation and culture by tracing the emergence of Australia as a significant exporter of television to the world market. The authors investigate why Australian programmes have found such international popularity. It also looks at the impact of Australian programmes on the television cultures of the importing countries.
This book addresses current debates about globalisation and culture by tracing the emergence of Australia as a significant exporter of television to the world market.
Table of contents:
Part I. Global Mediascapes: Theory and Industry: 1. Theoretical perspectives; 2. Globalisation and international television trade; Part II. The Domestic Optic: Australian Industry, Culture and Production: 3. The Australian television culture; 4. Production companies I; 5. Production companies II; Part III. The International Optic: TV Ecologies and Australian Programs: 6. The UK and Ireland; 7. Europe; 8. USA and Canada; 9. East Asia; 10. New Zealand Geoff Lealand; 11. Papua New Guinea and the South West Pacific Helen Wilson; Part IV. Conclusion: 12. Benefits and drawback of internationalisation.
This book addresses current debates about globalisation and culture by tracing the emergence of Australia as a significant exporter of television to the world market. The authors investigate why Australian programmes have found such international popularity. It also looks at the impact of Australian programmes on the television cultures of the importing countries.
This book addresses current debates about globalisation and culture by tracing the emergence of Australia as a significant exporter of television to the world market.
