After the Fact: Authority and the Historical Document in Late Twentieth-Century Literature examines six historiographic metafiction novels that critically employ archival documents. The writers endeavor ethical and critical projects that reveal how authority is constructed in ...
After the Fact: Authority and the Historical Document in Late Twentieth-Century Literature examines six historiographic metafiction novels that critically employ archival documents. The writers endeavor ethical and critical projects that reveal how authority is constructed in ...Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chapter 1: Nor Can the Living Speak for the Dead: D. M. Thomas's The White Hotel and the Limits of Early Holocaust Survivor Testimony Chapter 2: Recovering the Slave Narrative, Recovering Identity: History and Toni Morrison's Beloved Chapter 3: "centuries roam audible silence": Susan Howe's Singularities and the Articulation of Difference in the American Indian Captivity Narrative Chapter 4: "Theland isours": Reading the Land and Breaking the Treaty in Hannah Weiner's Spoke Chapter 5: "In my opinion she is guilty as sin": (de)Constructing the Murderess in Margaret Atwood's Alias Grace Chapter 6: A Brief History of Time: Poetry and the Press in Robert Coover's The Public Burning Conclusion: The Work of Forms After Authority
Chapter 1: Nor Can the Living Speak for the Dead: D. M. Thomas's The White Hotel and the Limits of Early Holocaust Survivor Testimony Chapter 2: Recovering the Slave Narrative, Recovering Identity: History and Toni Morrison's Beloved Chapter 3: "centuries roam audible silence": Susan Howe's Singularities and the Articulation of Difference in the American Indian Captivity Narrative Chapter 4: "Theland isours": Reading the Land and Breaking the Treaty in Hannah Weiner's Spoke Chapter 5: "In my opinion she is guilty as sin": (de)Constructing the Murderess in Margaret Atwood's Alias Grace Chapter 6: A Brief History of Time: Poetry and the Press in Robert Coover's The Public Burning Conclusion: The Work of Forms After Authority
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