After the Fact: Authority and the Historical Document in Late Twentieth-Century Literature examines six historiographic metafiction novels that critically employ archival documents. The writers endeavor ethical and critical projects that reveal how authority is constructed in historical records, comprised of an array of genres that perform ideological work.
After the Fact: Authority and the Historical Document in Late Twentieth-Century Literature examines six historiographic metafiction novels that critically employ archival documents. The writers endeavor ethical and critical projects that reveal how authority is constructed in historical records, comprised of an array of genres that perform ideological work.
Chapter 1: Nor Can the Living Speak for the Dead: D. M. Thomas's The White Hotel and the Limits of Early Holocaust Survivor Testimony Chapter 2: Recovering the Slave Narrative, Recovering Identity: History and Toni Morrison's Beloved Chapter 3: "centuries roam audible silence": Susan Howe's Singularities and the Articulation of Difference in the American Indian Captivity Narrative Chapter 4: "Theland isours": Reading the Land and Breaking the Treaty in Hannah Weiner's Spoke Chapter 5: "In my opinion she is guilty as sin": (de)Constructing the Murderess in Margaret Atwood's Alias Grace Chapter 6: A Brief History of Time: Poetry and the Press in Robert Coover's The Public Burning Conclusion: The Work of Forms After Authority
Chapter 1: Nor Can the Living Speak for the Dead: D. M. Thomas's The White Hotel and the Limits of Early Holocaust Survivor Testimony Chapter 2: Recovering the Slave Narrative, Recovering Identity: History and Toni Morrison's Beloved Chapter 3: "centuries roam audible silence": Susan Howe's Singularities and the Articulation of Difference in the American Indian Captivity Narrative Chapter 4: "Theland isours": Reading the Land and Breaking the Treaty in Hannah Weiner's Spoke Chapter 5: "In my opinion she is guilty as sin": (de)Constructing the Murderess in Margaret Atwood's Alias Grace Chapter 6: A Brief History of Time: Poetry and the Press in Robert Coover's The Public Burning Conclusion: The Work of Forms After Authority
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