This book studies British literary writers' engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to…mehr
This book studies British literary writers' engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this book offers an interdisciplinary, transhistorical, cultural, and analytical study of adaptation and the variable positions of writers within and across media.
Annie Nissen currently works at Lancaster University, UK, where she has been an Associate Lecturer for both Film Studies and English Literature and a Research Associate for the 'Cinema Memory and the Digital Archive' project.
Inhaltsangabe
Chapter 1: Introduction.- Chapter 2: Copyright Law, Authorial Ownership, and Adaptation Between Novels and Plays in Nineteenth-Century Britain.- Chapter 3: Changes in Writer Stratifications across Media in Nineteenth-Century Britain.- Chapter 4: Adaptation, Ownership, and the Emergence of Narrative Film.- Chapter 5: Literary Writers and Filmmaking Practices in Silent Cinema.- Chapter 6: Literary Writers and Early Sound Film: Experimental Writing.- Chapter 7: Conclusion.
Chapter 1: Introduction.- Chapter 2: Copyright Law, Authorial Ownership, and Adaptation Between Novels and Plays in Nineteenth-Century Britain.- Chapter 3: Changes in Writer Stratifications across Media in Nineteenth-Century Britain.- Chapter 4: Adaptation, Ownership, and the Emergence of Narrative Film.- Chapter 5: Literary Writers and Filmmaking Practices in Silent Cinema.- Chapter 6: Literary Writers and Early Sound Film: Experimental Writing.- Chapter 7: Conclusion.
Chapter 1: Introduction.- Chapter 2: Copyright Law, Authorial Ownership, and Adaptation Between Novels and Plays in Nineteenth-Century Britain.- Chapter 3: Changes in Writer Stratifications across Media in Nineteenth-Century Britain.- Chapter 4: Adaptation, Ownership, and the Emergence of Narrative Film.- Chapter 5: Literary Writers and Filmmaking Practices in Silent Cinema.- Chapter 6: Literary Writers and Early Sound Film: Experimental Writing.- Chapter 7: Conclusion.
Chapter 1: Introduction.- Chapter 2: Copyright Law, Authorial Ownership, and Adaptation Between Novels and Plays in Nineteenth-Century Britain.- Chapter 3: Changes in Writer Stratifications across Media in Nineteenth-Century Britain.- Chapter 4: Adaptation, Ownership, and the Emergence of Narrative Film.- Chapter 5: Literary Writers and Filmmaking Practices in Silent Cinema.- Chapter 6: Literary Writers and Early Sound Film: Experimental Writing.- Chapter 7: Conclusion.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG i.I. Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309