Authorship is a complicated subject in Kierkegaard's work, which he surely recognized, given his late attempts to explain himself in On My Work as an Author. From the use of multiple pseudonyms and antonyms, to contributions across a spectrum of media and genres, issues of authorship abound. Why did Kierkegaard write in the ways he did? Before we assess Kierkegaard's famous thoughts on faith or love, or the relationship between 'the aesthetic,' 'the ethical,' and 'the religious,' we must approach how he expressed them. Given the multi-authored nature of his works, can we find a view or voice…mehr
Authorship is a complicated subject in Kierkegaard's work, which he surely recognized, given his late attempts to explain himself in On My Work as an Author. From the use of multiple pseudonyms and antonyms, to contributions across a spectrum of media and genres, issues of authorship abound. Why did Kierkegaard write in the ways he did? Before we assess Kierkegaard's famous thoughts on faith or love, or the relationship between 'the aesthetic,' 'the ethical,' and 'the religious,' we must approach how he expressed them. Given the multi-authored nature of his works, can we find a view or voice that is definitively Kierkegaard's own? Can entries in his unpublished journals and notebooks tell us what Kierkegaard himself thought? How should contemporary readers understand inconsistencies or contradictions between differently named authors? We cannot make definitive claims about Kierkegaard's work as a thinker without understanding Kierkegaard's work as an author. This collection, by leading contemporary Kierkegaard scholars, is the first to systematically examine the divisive question and practice of authorship in Kierkegaard from philosophical, literary and theological perspectives.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Joseph Westfall is Associate Professor of Philosophy at the University of Houston-Downtown, USA. He is the author of The Kierkegaardian Author (2007), editor of The Continental Philosophy of Film Reader (Bloomsbury, 2018), and co-editor of Foucault and Nietzsche: A Critical Encounter (Bloomsbury, 2018).
Inhaltsangabe
Introduction Joseph Westfall University of Houston-Downtown USA 1. Kierkegaard qua Author: "Like the Guadalquibir River" Sylvia Walsh Stetson University USA 2. Rhetoric and Understanding: Authorship as Christian Mission Robert C. Roberts Baylor University USA 3. Illegible Salvation: The Authority of Language in The Concept of Anxiety Sarah Horton Boston College USA 4. The Very Tang of Life: Lyrical Jesting in Kierkegaard's Postscript Title Edward F. Mooney Syracuse University USA 5. Inside the Escritoire: On Kierkegaard's Erotic Theory of Communication Michael Strawser University of Central Florida USA 6. A Desire to Be Understood: Authorship and Authority in Kierkegaard's Work Daniel Berthold Bard College USA 7. Kierkegaard the Humorist Marilyn Piety Drexel University USA 8. Kierkegaard's Scene Changes: Authorship as Dramaturgical Practice Sophie Wennerscheid University of Ghent Belgium 9. Kierkegaard on the Art of Storytelling Eleanor Helms California Polytechnic State University USA 10. "I Came to Carthage"; "So I Arrived in Berlin": Fleeing and Escape in Augustine's Confessions and Kierkegaard's Repetition Eric Ziolkowski Lafayette College USA 11. On "S.K.": Selfhood and Signature in Kierkegaard and Sarah Kofman Joseph Westfall University of Houston-Downtown USA 12. Kierkegaard-What "Kind" of Writer?: A Dialogue George Pattison University of Glasgow UK Index
Introduction Joseph Westfall University of Houston-Downtown USA 1. Kierkegaard qua Author: "Like the Guadalquibir River" Sylvia Walsh Stetson University USA 2. Rhetoric and Understanding: Authorship as Christian Mission Robert C. Roberts Baylor University USA 3. Illegible Salvation: The Authority of Language in The Concept of Anxiety Sarah Horton Boston College USA 4. The Very Tang of Life: Lyrical Jesting in Kierkegaard's Postscript Title Edward F. Mooney Syracuse University USA 5. Inside the Escritoire: On Kierkegaard's Erotic Theory of Communication Michael Strawser University of Central Florida USA 6. A Desire to Be Understood: Authorship and Authority in Kierkegaard's Work Daniel Berthold Bard College USA 7. Kierkegaard the Humorist Marilyn Piety Drexel University USA 8. Kierkegaard's Scene Changes: Authorship as Dramaturgical Practice Sophie Wennerscheid University of Ghent Belgium 9. Kierkegaard on the Art of Storytelling Eleanor Helms California Polytechnic State University USA 10. "I Came to Carthage"; "So I Arrived in Berlin": Fleeing and Escape in Augustine's Confessions and Kierkegaard's Repetition Eric Ziolkowski Lafayette College USA 11. On "S.K.": Selfhood and Signature in Kierkegaard and Sarah Kofman Joseph Westfall University of Houston-Downtown USA 12. Kierkegaard-What "Kind" of Writer?: A Dialogue George Pattison University of Glasgow UK Index
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