This book examines "heterobiography"-the first-person fictional account of a historic life. Boldrini explores the tension in these texts between historicity and the desire to free the subject from historical necessity. Authors studied include Malouf, Carey, Ondaatje, Adair, Banti, and Montalbán.
This book examines "heterobiography"-the first-person fictional account of a historic life. Boldrini explores the tension in these texts between historicity and the desire to free the subject from historical necessity. Authors studied include Malouf, Carey, Ondaatje, Adair, Banti, and Montalbán.
Lucia Boldrini is Senior Lecturer at Goldsmiths, University of London in the Department of English and Comparative Literature.
Inhaltsangabe
Selected Contents: Introduction: The Portrait of a Voice 1. Heterobiography and The Utopia of Man 2. Heterobiography Violence and the Law 3. The Madness of the Documentary and the Aesthetics of the Body 4. The Author? In Theory Dead: Heterobiography and Responsibility 5. The Polluted Swamp: Heterobiography Dialogue and History
Selected Contents: Introduction: The Portrait of a Voice 1. Heterobiography and The Utopia of Man 2. Heterobiography Violence and the Law 3. The Madness of the Documentary and the Aesthetics of the Body 4. The Author? In Theory Dead: Heterobiography and Responsibility 5. The Polluted Swamp: Heterobiography Dialogue and History
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