Autobiography and Performance offers a comprehensive overview of the use of autobiography in performance. Examining the work of key practitioners, Heddon argues that autobiographical performances act as sites of resistance and intervention and uncovers the political potentials and limits that accompany the use of the personal in performance.
Autobiography and Performance offers a comprehensive overview of the use of autobiography in performance. Examining the work of key practitioners, Heddon argues that autobiographical performances act as sites of resistance and intervention and uncovers the political potentials and limits that accompany the use of the personal in performance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
DEIRDRE HEDDON is Professor of Theatre Studies at the University of Glasgow, UK.
Inhaltsangabe
List of Illustrations General Editors' Preface Acknowledgements Introduction PART I: POLITICS (OF SELF): THE SUBJECT OF AUTOBIOGRAPHY Beginnings: Autobiographical Performance Tensions: Experience and Its Representation In-Between: Experience and Its Representation The Autobiography of Community PART II: HISTORY: TESTIMONIAL TIMES Psychoanalysis and Trauma Performing Testimonial History PART III: PLACE: THE PLACE OF SELF Autotopography: Autobiography and Place The Art of Walking The Politics of Place PART IV: ETHICS: THE STORY OF THE OTHER Self-Other Verbatim Theatre Performance Rights PART V: CONCLUSION: These Confessional Times The Appropriate(d) Personal The Difference of Context References Bibliography.
List of Illustrations General Editors' Preface Acknowledgements Introduction PART I: POLITICS (OF SELF): THE SUBJECT OF AUTOBIOGRAPHY Beginnings: Autobiographical Performance Tensions: Experience and Its Representation In-Between: Experience and Its Representation The Autobiography of Community PART II: HISTORY: TESTIMONIAL TIMES Psychoanalysis and Trauma Performing Testimonial History PART III: PLACE: THE PLACE OF SELF Autotopography: Autobiography and Place The Art of Walking The Politics of Place PART IV: ETHICS: THE STORY OF THE OTHER Self-Other Verbatim Theatre Performance Rights PART V: CONCLUSION: These Confessional Times The Appropriate(d) Personal The Difference of Context References Bibliography.
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