An exploration of the impact of the 1960s and the U.S. post-cold war moment on the reception of Latin American art and artists.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrea Giunta is a professor of art history at the Universidad de San Martín and an associate professor art history at the Universidad de Buenos Aires. She is the author of Goeritz/Romero Brest: Correspondencias and the recipient of fellowships from the Rockefeller, Getty, and Guggenheim foundations. Peter Kahn is a Ph.D. candidate in Hispanic American Literature at the University of Massachusetts, Amherst.
Inhaltsangabe
List of Illustrations ix About the Series xi Preface and Acknowledgments xiii Translator’s Note xvii Abbreviations xix Introduction 1 1. Modern Art on the Margins of Peronism 25 2. Proclamations and Programs During the Revolucion Libertadora 55 3. The “New” Art Scene 91 4. The Avant-Garde as Problem 119 5. The Decentering of the Modernist Paradigm 163 6. Strategies of Internationalization 189 7. The Avant-Garde Between Art and Politics 243 Conclusions 281 Notes 291 Bibliography 373 Index 397
List of Illustrations ix About the Series xi Preface and Acknowledgments xiii Translator’s Note xvii Abbreviations xix Introduction 1 1. Modern Art on the Margins of Peronism 25 2. Proclamations and Programs During the Revolucion Libertadora 55 3. The “New” Art Scene 91 4. The Avant-Garde as Problem 119 5. The Decentering of the Modernist Paradigm 163 6. Strategies of Internationalization 189 7. The Avant-Garde Between Art and Politics 243 Conclusions 281 Notes 291 Bibliography 373 Index 397
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