"Largely focusing on avant-garde composers active in the 1950s and 60s, this book highlights their engagement with records and recording. Combining approaches from music history, cultural studies and sound studies, it shows how contemporary listeners experienced this music through consumer-oriented technology also embraced by popular music creators"--
"Largely focusing on avant-garde composers active in the 1950s and 60s, this book highlights their engagement with records and recording. Combining approaches from music history, cultural studies and sound studies, it shows how contemporary listeners experienced this music through consumer-oriented technology also embraced by popular music creators"--
Jonathan Goldman is Professor of Musicology at the Faculty of Music of the Université de Montréal. His research focuses on modernist/avant-garde music in a regional perspective. His publications include an Opus Prize-winning monograph, The Musical Language of Pierre Boulez (Cambridge, 2011), and four edited volumes.
Inhaltsangabe
1. Introduction 2. Ping-pong and its discontents 3. Doubles, rhymes and groups in stereo 4. Transnational multiorchestralism 5. The monumental stereo of son et lumière 6. Phonographic spaces: circling San Marco, navigating Niagara 7. Open works locked into grooves.
1. Introduction 2. Ping-pong and its discontents 3. Doubles, rhymes and groups in stereo 4. Transnational multiorchestralism 5. The monumental stereo of son et lumière 6. Phonographic spaces: circling San Marco, navigating Niagara 7. Open works locked into grooves.
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