Spanning timeframes from 1967 to 2002, Frank Gillette's essays included in this volume are concerned with the re-enchantment of the natural order. Employing several literary styles, from spon-taneous improvisation to a version of Gregory Bateson's metalogue, Gillette's writings are ruminations on symbolic and metaphorical reasoning. Containing pertinent images inserted after original essays, this compilation underscores Gillette's thinking translated into words and visual media.
Spanning timeframes from 1967 to 2002, Frank Gillette's essays included in this volume are concerned with the re-enchantment of the natural order. Employing several literary styles, from spon-taneous improvisation to a version of Gregory Bateson's metalogue, Gillette's writings are ruminations on symbolic and metaphorical reasoning. Containing pertinent images inserted after original essays, this compilation underscores Gillette's thinking translated into words and visual media.
Suzanne Anker is a visual artist and theorist working at the nexus of art and the biological sciences. Her work has been shown both nationally and internationally in museums and galleries including Daejeon Biennale 2018, Korea, The Center for Art and Media Technology Karlsruhe
Inhaltsangabe
Design, Purpose & Ecology (2002)
Patterns Which Connect #2 (Hypnagogic Transitions) (2002)
Cyborg Smorgasbord (2002) 39 Frank Gillette and Tom McEvilley (2000)
McLuhan & Art History: Take One / Oral Version (1998)
The Broken Text (1994/2002/2008)
The Way We Are (1994)
The Philosophical Roots of Biomorphism in Art (1994)
On Paul Ryan Sign(s) (1993)
The Eye's Mind (1992-94)
The Retangled Bank (1992)
Howard Wise Obit (1992)
Errata. Erotica: A Rant (1992)
White Columns Lecture (1990)
Pratt Symposia (1989)
Art and Philosophy (1989)
Notes on the Photographic Sets (1980)
Arpanet (1979)
Aransas - Axis of Observation (1978)
Proposal:Memory's Hand (1975)
Masque in Real Time (1975)
Aspects of Data (1971)
The Nutritive Context (1970)
Random Notes on the Special Case or Loop de Loop (1970)
