A comprehensive volume on the life and work of renowned Chicana author Sandra Cisneros.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sonia Saldívar-Hull is a professor emerita of English at the University of Texas at San Antonio. She is the author of Feminism on the Border: Chicana Literature and Politics. Geneva M. Gano is a professor of English at Texas State University and the author of The Little Art Colony and US Modernism.
Inhaltsangabe
1. List of Illustrations 2. Preface. ¡Ay Tú! ¡Sí Yo! Nosotrxs: The Sinvergüenza Collective 3. Introduction. Her Fabulous Career: Sandra Cisneros’s Life/Work (Sonia Saldívar-Hull and Geneva M. Gano) 4. Part I. ¡Ay, Qué Rico! Close Readings * 1. Lingering with Complicity in Caramelo (Mary Pat Brady) * 2. The Racial City: Navigating Chicago’s Racialized Space in The House on Mango Street (Olga L. Herrera) * 3. Telenovela Feeling in Sandra Cisneros’s Loose Woman: “I Think of Me to Gluttony” (Adriana Estill) * 4. “You Were Telling Cochinadas”: Performative Metaphors for Storytelling in Sandra Cisneros’s Caramelo (Shanna M. Salinas) * 5. Mapping the Decolonial: Community Cartography in Sandra Cisneros’s Woman Hollering Creek (Teresa Hernández) 5. Part II. Love, Shame, and Sinvergüenzas * 6. “Love the Only Way I Know How”: Cultivating Erotic Conocimiento in the Work of Sandra Cisneros (Belinda Linn Rincón) * 7. From Marginal to Sin Vergüenza: Overcoming School-Inflicted Shame through Transgressive Literary Aesthetics in Sandra Cisneros’s Life and Writing (Georgina Guzmán) * 8. The Loose Woman and the Men of Ill Repute (Richard T. Rodríguez) * 9. Wild, Wicked, and Crazy Brave Tongues: Locating the Collaborative Origins of Sandra Cisneros’s and Joy Harjo’s Poetic Voices (Audrey Goodman) * 10. “Hay Que Inventarnos / We Must Invent Ourselves”: The Impact of Norma Alarcón and Sandra Cisneros’s Friendship on Chicana Feminist Literature (Sara A. Ramírez) * 11. Faxes, Friendship, and the Rise of Chicana Literature: Examining the Archive of Letters between Sandra Cisneros and Helena María Viramontes (Linda Margarita Greenberg) 6. Part III. ¡Adelante! Seeing and Listening with Cisneros * 12. La Sandra como Artista: The Visual Cisneros (Tey Marianna Nunn) * 13. Sin Vergüenza: A Plática with Sandra Cisneros (Macarena Hernández) 7. Acknowledgments 8. Contributors 9. Index
1. List of Illustrations 2. Preface. ¡Ay Tú! ¡Sí Yo! Nosotrxs: The Sinvergüenza Collective 3. Introduction. Her Fabulous Career: Sandra Cisneros’s Life/Work (Sonia Saldívar-Hull and Geneva M. Gano) 4. Part I. ¡Ay, Qué Rico! Close Readings * 1. Lingering with Complicity in Caramelo (Mary Pat Brady) * 2. The Racial City: Navigating Chicago’s Racialized Space in The House on Mango Street (Olga L. Herrera) * 3. Telenovela Feeling in Sandra Cisneros’s Loose Woman: “I Think of Me to Gluttony” (Adriana Estill) * 4. “You Were Telling Cochinadas”: Performative Metaphors for Storytelling in Sandra Cisneros’s Caramelo (Shanna M. Salinas) * 5. Mapping the Decolonial: Community Cartography in Sandra Cisneros’s Woman Hollering Creek (Teresa Hernández) 5. Part II. Love, Shame, and Sinvergüenzas * 6. “Love the Only Way I Know How”: Cultivating Erotic Conocimiento in the Work of Sandra Cisneros (Belinda Linn Rincón) * 7. From Marginal to Sin Vergüenza: Overcoming School-Inflicted Shame through Transgressive Literary Aesthetics in Sandra Cisneros’s Life and Writing (Georgina Guzmán) * 8. The Loose Woman and the Men of Ill Repute (Richard T. Rodríguez) * 9. Wild, Wicked, and Crazy Brave Tongues: Locating the Collaborative Origins of Sandra Cisneros’s and Joy Harjo’s Poetic Voices (Audrey Goodman) * 10. “Hay Que Inventarnos / We Must Invent Ourselves”: The Impact of Norma Alarcón and Sandra Cisneros’s Friendship on Chicana Feminist Literature (Sara A. Ramírez) * 11. Faxes, Friendship, and the Rise of Chicana Literature: Examining the Archive of Letters between Sandra Cisneros and Helena María Viramontes (Linda Margarita Greenberg) 6. Part III. ¡Adelante! Seeing and Listening with Cisneros * 12. La Sandra como Artista: The Visual Cisneros (Tey Marianna Nunn) * 13. Sin Vergüenza: A Plática with Sandra Cisneros (Macarena Hernández) 7. Acknowledgments 8. Contributors 9. Index
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