In October 1947, more than twenty years after leaving Russia, Ayn Rand testified before the House Un-American Activities Committee (HUAC), which was investigating communist infiltration of the motion picture industry. The focus of that testimony was Song of Russia, a 1944 pro-Soviet film that Rand decried for its unrealistic, absurdly flattering portrait of life in the communist country.
In October 1947, more than twenty years after leaving Russia, Ayn Rand testified before the House Un-American Activities Committee (HUAC), which was investigating communist infiltration of the motion picture industry. The focus of that testimony was Song of Russia, a 1944 pro-Soviet film that Rand decried for its unrealistic, absurdly flattering portrait of life in the communist country.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert Mayhew is Professor of Philosophy at Seton Hall University. He has written two books on Aristotle, translated a play of Aristophanes, and edited four collections of works by or about Ayn Rand, including Essays on Ayn Rand's We the Living (Lexington, 2004).
Inhaltsangabe
Part 1 Acknowledgments Part 2 A Note on the Hollywood Ten and the Lubyanka Thousand Part 3 Part I: Distorting Facts: Song of Russia Chapter 4 Chapter 1. Song of Russia: A Synopsis Chapter 5 Chapter 2. The Making of Song of Russia Chapter 6 Chapter 3. Reactions to Song of Russia Part 7 Part II: Ayn Rand's 1947 HUAC Testimony Chapter 8 Chapter 4. From Russia to Washington, D.C., via Hollywood Chapter 9 Chapter 5. Ayn Rand on the House Un-American Activities Committee Chapter 10 Chapter 6. Big Lies: Song of Russia versus Soviet Russia-An Analysis of Ayn Rand's HUAC Testimony, Part 1 Chapter 11 Chapter 7. Noble Lies: Reflecting the Standard Defense of Song of Russia-An Analysis of Ayn Rand's HUAC Testimony, Part 2 Chapter 12 Chapter 8. Russian Smiles: The Leftist Response to Ayn Rand's HUAC Testimony Part 13 Conclusion Part 14 Appendix 1: Ayn Rand's HUAC Testimony Part 15 Appendix 2: Files on Song of Russia at the Margaret Herrick Library Part 16 Appendix 3: From the FBI Files: The Schedule for the 1947 HUAC Hearings Part 17 Appendix 4: From the FBI Files: The Motion Picture Alliance and the "Other Blacklist" Part 18 Select Bibliography Part 19 Index Part 20 About the Author
Part 1 Acknowledgments Part 2 A Note on the Hollywood Ten and the Lubyanka Thousand Part 3 Part I: Distorting Facts: Song of Russia Chapter 4 Chapter 1. Song of Russia: A Synopsis Chapter 5 Chapter 2. The Making of Song of Russia Chapter 6 Chapter 3. Reactions to Song of Russia Part 7 Part II: Ayn Rand's 1947 HUAC Testimony Chapter 8 Chapter 4. From Russia to Washington, D.C., via Hollywood Chapter 9 Chapter 5. Ayn Rand on the House Un-American Activities Committee Chapter 10 Chapter 6. Big Lies: Song of Russia versus Soviet Russia-An Analysis of Ayn Rand's HUAC Testimony, Part 1 Chapter 11 Chapter 7. Noble Lies: Reflecting the Standard Defense of Song of Russia-An Analysis of Ayn Rand's HUAC Testimony, Part 2 Chapter 12 Chapter 8. Russian Smiles: The Leftist Response to Ayn Rand's HUAC Testimony Part 13 Conclusion Part 14 Appendix 1: Ayn Rand's HUAC Testimony Part 15 Appendix 2: Files on Song of Russia at the Margaret Herrick Library Part 16 Appendix 3: From the FBI Files: The Schedule for the 1947 HUAC Hearings Part 17 Appendix 4: From the FBI Files: The Motion Picture Alliance and the "Other Blacklist" Part 18 Select Bibliography Part 19 Index Part 20 About the Author
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