Originally a royal court dance, "baakisimba" asserted the authority of the king as the head of Baganda society. Integrating a study of the performance genre with a detailed analysis of gender among the Baganda, this book illuminates the complex relationship between "baakisimba" and Baganda culture.
Originally a royal court dance, "baakisimba" asserted the authority of the king as the head of Baganda society. Integrating a study of the performance genre with a detailed analysis of gender among the Baganda, this book illuminates the complex relationship between "baakisimba" and Baganda culture.
Produktdetails
Produktdetails
Current Research in Ethnomusicology: Outstanding Dissertations
Sylvia Nannyonga-Tamusuza is a lecturer in the Music Department at Makerere University, Uganda. She has published several essays on gender, music, and dance. Her research interests also include children's music and musical competitions.
Inhaltsangabe
ContentsPrefaceAcknowledgmentsIntroductionC hapter One: Gender Construction in BugandaChapter Two: Baakisimba Performance ContextsChapter Three: Engoma Za Baakisimba: The Gendered DrumsChapter Four: Baakisimba: The Women's DanceSummary and ConclusionAppendicesNotesGlossaryBibliogr aphyIndex
ContentsPrefaceAcknowledgmentsIntroductionC hapter One: Gender Construction in BugandaChapter Two: Baakisimba Performance ContextsChapter Three: Engoma Za Baakisimba: The Gendered DrumsChapter Four: Baakisimba: The Women's DanceSummary and ConclusionAppendicesNotesGlossaryBibliogr aphyIndex
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309