The popular German streaming series Babylon Berlin-a neo-noir thriller set in the final years of the Weimar Republic-builds on the fascination with 1920s Berlin as a centre of political and economic upheaval, hedonistic nightlife, and vibrant artistic experimentation. Exploring Weimar's history and culture, its legacy, and its resonance in the early 21st century, this volume analyses Babylon Berlin and its unique contribution to contemporary visual culture. Since its inception in 2017 the series has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical…mehr
The popular German streaming series Babylon Berlin-a neo-noir thriller set in the final years of the Weimar Republic-builds on the fascination with 1920s Berlin as a centre of political and economic upheaval, hedonistic nightlife, and vibrant artistic experimentation. Exploring Weimar's history and culture, its legacy, and its resonance in the early 21st century, this volume analyses Babylon Berlin and its unique contribution to contemporary visual culture. Since its inception in 2017 the series has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital. Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts-Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts-the volume brings together an international group of scholars to critically examine various facets of the show, including its aesthetic form and citational style, its representation of the history and politics of late Weimar, and its exemplary status as a blockbuster production of neoliberal media culture. Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for fans of the series and for scholars and students of cinema and media studies, visual culture, history, and German & European studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hester Baer is Professor of German and Cinema & Media Studies at the University of Maryland, USA. She is the author of Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language (2009), German Cinema in the Age of Neoliberalism (2021), and a volume for the series German Film Classics on Ula Stöckl's The Cat Has Nine Lives (2022). She currently serves as co-editor of The German Quarterly. Jill Suzanne Smith is Associate Professor of German and a contributing faculty member in Cinema Studies, Gender, Sexuality, and Women's Studies, and Urban Studies at Bowdoin College, USA. She is the author of Berlin Coquette: Prostitution and the New German Woman 1890-1933 (2013) and a volume editor for the Bloomsbury series A Cultural History of Prostitution .
Inhaltsangabe
List of Illustrations Notes on Contributors Introduction Hester Baer (University of Maryland College Park USA) and Jill Suzanne Smith (Bowdoin College USA) Part One: Babylon Berlin Global Media and Fan Culture 1. Quality TV Drama with Transnational Appeal: Industry Discourses on Babylon Berlin and the Changing Television Landscape in Germany Florian Krauß (University of Siegen Germany) 2. Defective Detective Meets Sassy Secretary Plot Ensues: Babylon Berlin TV Tropes and the Cultural Implications of Pop Narratology Doria Killian (University of North Carolina Asheville USA) Part Two: The Look and Sound of Babylon Berlin 3. Fashion for a Global Audience: 1920s Glamour and Grit Mila Ganeva (Miami University Ohio USA) 4. Liquid Space and Digital Aesthetics in Babylon Berlin Michael Sandberg (University of California Berkeley) and Cara Tovey (University of California Los Angeles USA) 5. Recreating the Soundscape of Weimar: Sound Technologies Trauma and the Sonic Archive Abby Anderton (Baruch College and CUNY Graduate Center USA) 6. From Kahn to Kollwitz: Exploring the Significance of Art and Visual Culture in Babylon Berlin Camilla Smith (University of Birmingham UK) Part Three: Representing Weimar History 7. "Modernity in Babylon: The Media as Proponents of Modern Life in Babylon Berlin " Jochen Hung (Utrecht University Netherlands) 8. Journalists and the Media as Proponents of Modern Life Javier Samper Vendrell (University of Pennsylvania USA) 9. Reading Queerness in Babylon Berlin Darcy Buerkle (Smith College USA) Part Four: Weimar Intertexts 10. Blood May Footage and the Archive Effect: The Political Ambivalence of Babylon Berlin as Appropriation Film Sara F. Hall (University of Illinois Chicago USA) 11. Glitter and Post-Punk Doom: Babylon Berlin through the Lens of 1980s West Berlin Julia Sneeringer (Queens College and the CUNY Graduate Center USA) 12. Siegfried Screen Memories and the Fall of the Weimar Republic Carrie Collenberg-González (Portland State University USA) and Curtis L. Maughan (Pomona College USA) Afterword: Hester Baer and Jill Suzanne Smith Index
List of Illustrations Notes on Contributors Introduction Hester Baer (University of Maryland College Park USA) and Jill Suzanne Smith (Bowdoin College USA) Part One: Babylon Berlin Global Media and Fan Culture 1. Quality TV Drama with Transnational Appeal: Industry Discourses on Babylon Berlin and the Changing Television Landscape in Germany Florian Krauß (University of Siegen Germany) 2. Defective Detective Meets Sassy Secretary Plot Ensues: Babylon Berlin TV Tropes and the Cultural Implications of Pop Narratology Doria Killian (University of North Carolina Asheville USA) Part Two: The Look and Sound of Babylon Berlin 3. Fashion for a Global Audience: 1920s Glamour and Grit Mila Ganeva (Miami University Ohio USA) 4. Liquid Space and Digital Aesthetics in Babylon Berlin Michael Sandberg (University of California Berkeley) and Cara Tovey (University of California Los Angeles USA) 5. Recreating the Soundscape of Weimar: Sound Technologies Trauma and the Sonic Archive Abby Anderton (Baruch College and CUNY Graduate Center USA) 6. From Kahn to Kollwitz: Exploring the Significance of Art and Visual Culture in Babylon Berlin Camilla Smith (University of Birmingham UK) Part Three: Representing Weimar History 7. "Modernity in Babylon: The Media as Proponents of Modern Life in Babylon Berlin " Jochen Hung (Utrecht University Netherlands) 8. Journalists and the Media as Proponents of Modern Life Javier Samper Vendrell (University of Pennsylvania USA) 9. Reading Queerness in Babylon Berlin Darcy Buerkle (Smith College USA) Part Four: Weimar Intertexts 10. Blood May Footage and the Archive Effect: The Political Ambivalence of Babylon Berlin as Appropriation Film Sara F. Hall (University of Illinois Chicago USA) 11. Glitter and Post-Punk Doom: Babylon Berlin through the Lens of 1980s West Berlin Julia Sneeringer (Queens College and the CUNY Graduate Center USA) 12. Siegfried Screen Memories and the Fall of the Weimar Republic Carrie Collenberg-González (Portland State University USA) and Curtis L. Maughan (Pomona College USA) Afterword: Hester Baer and Jill Suzanne Smith Index
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