An ethnography of Japanese engagement with Jamaican performative culture, from roots reggae and Rasta to dancehall and reggae dance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marvin D. Sterling is Assistant Professor of Anthropology at Indiana University.
Inhaltsangabe
Preface ix Acknowledgments xiii Introduction 1. The Politics of Presence: Performing Blackness in Japan 2. Music and Orality: Authenticity in Japanese Sound System Culture 3. Fashion and Dance: Performing Gender in Japan's Reggae Dance Scene 4. Body and Spirit: Rastafarian Consciousness in Rural Japan 5. Text and Image: Bad Jamaicans, Tough Japanese, and the Third World "Search for Self" 6. Jamaican Perspectives on Jamaican Culture in Japan Notes Bibliography Index
Preface ix Acknowledgments xiii Introduction 1. The Politics of Presence: Performing Blackness in Japan 2. Music and Orality: Authenticity in Japanese Sound System Culture 3. Fashion and Dance: Performing Gender in Japan's Reggae Dance Scene 4. Body and Spirit: Rastafarian Consciousness in Rural Japan 5. Text and Image: Bad Jamaicans, Tough Japanese, and the Third World "Search for Self" 6. Jamaican Perspectives on Jamaican Culture in Japan Notes Bibliography Index
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