"The most exciting piece of scholarship that I've read in ages, "Babylon Girls" succeeds as an extremely ambitious, meticulously researched, brilliantly theorized cultural history. It is a landmark contribution to jazz studies, dance and performance studies, black women's history, studies of minstrelsy, and theories of cross-cultural exchange."--Sherrie Tucker, author of "Swing Shift: "All-Girl" Bands of the 1940s"
"The most exciting piece of scholarship that I've read in ages, "Babylon Girls" succeeds as an extremely ambitious, meticulously researched, brilliantly theorized cultural history. It is a landmark contribution to jazz studies, dance and performance studies, black women's history, studies of minstrelsy, and theories of cross-cultural exchange."--Sherrie Tucker, author of "Swing Shift: "All-Girl" Bands of the 1940s"Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments ix Abbreviations for Libraries and Archives xiii Introduction 1 1. "Little Black Me": The Touring Picaninny Choruses 19 2. Letting the Flesh Fly: Topsy, Time, Torture, and Transfiguration 56 3. "Egyptian Beauties" and "Creole Queens": The Performance of City and Empire on the Fin-de-Siecle Black Burlesque Stage 92 4. The Cakewalk Business 128 5. Everybody's Doing It: Social Dance, Segregation, and the New Body 156 6. Babylon Girls: Primitivist Modernism, Anti-Modernism, and Black Chorus Line Dancers 189 7. Translocutions: Florence Mills, Josephine Baker, and Valaida Snow 238 Conclusion 280 Notes 285 Bibliography 313 Index 333
Acknowledgments ix Abbreviations for Libraries and Archives xiii Introduction 1 1. "Little Black Me": The Touring Picaninny Choruses 19 2. Letting the Flesh Fly: Topsy, Time, Torture, and Transfiguration 56 3. "Egyptian Beauties" and "Creole Queens": The Performance of City and Empire on the Fin-de-Siecle Black Burlesque Stage 92 4. The Cakewalk Business 128 5. Everybody's Doing It: Social Dance, Segregation, and the New Body 156 6. Babylon Girls: Primitivist Modernism, Anti-Modernism, and Black Chorus Line Dancers 189 7. Translocutions: Florence Mills, Josephine Baker, and Valaida Snow 238 Conclusion 280 Notes 285 Bibliography 313 Index 333
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