Ethnography of the relationship of Trinidadian music to political consciousness, using case studies that emphasize different genres associated with different ethnic traditions in a postcolonial context.
Ethnography of the relationship of Trinidadian music to political consciousness, using case studies that emphasize different genres associated with different ethnic traditions in a postcolonial context.
Kevin K. Birth is Associate Professor of Anthropology at Queens College, City University of New York. He is the author of “Any Time Is Trinidad Time”: Social Meanings and Temporal Consciousness.
Inhaltsangabe
Preface ix Note on Music References xiii Introduction. Initial Connections 1 1. Governmental Organization of Spontaneity 43 2. Bacchnalian Counterpoints to the State 69 3. Parang: Christmas in Anamat 119 4. Bakrnal: An Example of Changing Opinions 149 5. "Chukaipan," "Lootala," and the Counterpoint of "Mix Up" 182 6. Concluding Relations 212 Appendix 227 References 229 Index 249
Preface ix Note on Music References xiii Introduction. Initial Connections 1 1. Governmental Organization of Spontaneity 43 2. Bacchnalian Counterpoints to the State 69 3. Parang: Christmas in Anamat 119 4. Bakrnal: An Example of Changing Opinions 149 5. "Chukaipan," "Lootala," and the Counterpoint of "Mix Up" 182 6. Concluding Relations 212 Appendix 227 References 229 Index 249
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