Bach, Handel, Scarlatti 1685 1985
Herausgeber: Williams, Peter
Bach, Handel, Scarlatti 1685 1985
Herausgeber: Williams, Peter
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1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti.
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1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 384
- Erscheinungstermin: 30. Juni 2008
- Englisch
- Abmessung: 244mm x 170mm x 21mm
- Gewicht: 661g
- ISBN-13: 9780521082136
- ISBN-10: 0521082137
- Artikelnr.: 24766395
- Verlag: Cambridge University Press
- Seitenzahl: 384
- Erscheinungstermin: 30. Juni 2008
- Englisch
- Abmessung: 244mm x 170mm x 21mm
- Gewicht: 661g
- ISBN-13: 9780521082136
- ISBN-10: 0521082137
- Artikelnr.: 24766395
1. Handel and Music for the Earl of Carnarvon Graydon Beeks; 2. Aria and
Ritornello: New Aspects of the Comparison Handel/Bach Paul Brainard; 3.
Handel and Hanover Donald Burrows; 4. Muzio Clementi as an Original
Advocate, Collector and Performer, in Particular of J. S. Bach and D.
Scarlatti Stephen Daw; 5. Handel's Early London Copyists Winton Dean; 6.
The 'Dotted Style' in Bach, Handel, and Scarlatti David Fuller; 7. The
Mietkes, the Margrave and Bach Sheridan Germann; 8. Handel's 'Chandos' and
Associated Anthems: An Introductory Survey Gerald Hendrie; 9.`Der Himmel
weiss, wo these Sachen hingekommen sind': Reconstructing the Lost Keyboard
Notebooks of the Young Bach and Handel Robert Hill; 10. Did J. S. Bach
Compose the F minor Prelude and Fugue BWV 534? David Humphreys; 11. In
Search of Bach the Organist Peter Le Hurry and John Butt; 12. Keyboard
Technique and Articulation: Evidence for the Performance Practices of Bach,
Handel and Scarlatti Mark Lindley; 13. Bach and Handel as Teachers of
Thorough Bass Alfred Mann; 14. Tempo and Dynamic Indications in the Bach
Sources: A Review of the Terminology Robert L. Marshall; 15. Bach, Handel,
D. Scarlatti and the Toccata of the Late Baroque Giorgio Pestelli; 16. Does
'Well-Tempered' Mean 'Equal-Tempered'? Rudolf Rasch; 17. The B minor Mass -
Perpetual Touchstone for Bach Research Hans-Joachim Schultze; 18. Remarks
on the Compositions for Organ of Domenico Scarlatti Luigi Ferdinando
Tagliavini; 19. Figurae in the Keyboard Works of Scarlatti, Handel and
Bach: An Introduction Peter Williams.
Ritornello: New Aspects of the Comparison Handel/Bach Paul Brainard; 3.
Handel and Hanover Donald Burrows; 4. Muzio Clementi as an Original
Advocate, Collector and Performer, in Particular of J. S. Bach and D.
Scarlatti Stephen Daw; 5. Handel's Early London Copyists Winton Dean; 6.
The 'Dotted Style' in Bach, Handel, and Scarlatti David Fuller; 7. The
Mietkes, the Margrave and Bach Sheridan Germann; 8. Handel's 'Chandos' and
Associated Anthems: An Introductory Survey Gerald Hendrie; 9.`Der Himmel
weiss, wo these Sachen hingekommen sind': Reconstructing the Lost Keyboard
Notebooks of the Young Bach and Handel Robert Hill; 10. Did J. S. Bach
Compose the F minor Prelude and Fugue BWV 534? David Humphreys; 11. In
Search of Bach the Organist Peter Le Hurry and John Butt; 12. Keyboard
Technique and Articulation: Evidence for the Performance Practices of Bach,
Handel and Scarlatti Mark Lindley; 13. Bach and Handel as Teachers of
Thorough Bass Alfred Mann; 14. Tempo and Dynamic Indications in the Bach
Sources: A Review of the Terminology Robert L. Marshall; 15. Bach, Handel,
D. Scarlatti and the Toccata of the Late Baroque Giorgio Pestelli; 16. Does
'Well-Tempered' Mean 'Equal-Tempered'? Rudolf Rasch; 17. The B minor Mass -
Perpetual Touchstone for Bach Research Hans-Joachim Schultze; 18. Remarks
on the Compositions for Organ of Domenico Scarlatti Luigi Ferdinando
Tagliavini; 19. Figurae in the Keyboard Works of Scarlatti, Handel and
Bach: An Introduction Peter Williams.
1. Handel and Music for the Earl of Carnarvon Graydon Beeks; 2. Aria and
Ritornello: New Aspects of the Comparison Handel/Bach Paul Brainard; 3.
Handel and Hanover Donald Burrows; 4. Muzio Clementi as an Original
Advocate, Collector and Performer, in Particular of J. S. Bach and D.
Scarlatti Stephen Daw; 5. Handel's Early London Copyists Winton Dean; 6.
The 'Dotted Style' in Bach, Handel, and Scarlatti David Fuller; 7. The
Mietkes, the Margrave and Bach Sheridan Germann; 8. Handel's 'Chandos' and
Associated Anthems: An Introductory Survey Gerald Hendrie; 9.`Der Himmel
weiss, wo these Sachen hingekommen sind': Reconstructing the Lost Keyboard
Notebooks of the Young Bach and Handel Robert Hill; 10. Did J. S. Bach
Compose the F minor Prelude and Fugue BWV 534? David Humphreys; 11. In
Search of Bach the Organist Peter Le Hurry and John Butt; 12. Keyboard
Technique and Articulation: Evidence for the Performance Practices of Bach,
Handel and Scarlatti Mark Lindley; 13. Bach and Handel as Teachers of
Thorough Bass Alfred Mann; 14. Tempo and Dynamic Indications in the Bach
Sources: A Review of the Terminology Robert L. Marshall; 15. Bach, Handel,
D. Scarlatti and the Toccata of the Late Baroque Giorgio Pestelli; 16. Does
'Well-Tempered' Mean 'Equal-Tempered'? Rudolf Rasch; 17. The B minor Mass -
Perpetual Touchstone for Bach Research Hans-Joachim Schultze; 18. Remarks
on the Compositions for Organ of Domenico Scarlatti Luigi Ferdinando
Tagliavini; 19. Figurae in the Keyboard Works of Scarlatti, Handel and
Bach: An Introduction Peter Williams.
Ritornello: New Aspects of the Comparison Handel/Bach Paul Brainard; 3.
Handel and Hanover Donald Burrows; 4. Muzio Clementi as an Original
Advocate, Collector and Performer, in Particular of J. S. Bach and D.
Scarlatti Stephen Daw; 5. Handel's Early London Copyists Winton Dean; 6.
The 'Dotted Style' in Bach, Handel, and Scarlatti David Fuller; 7. The
Mietkes, the Margrave and Bach Sheridan Germann; 8. Handel's 'Chandos' and
Associated Anthems: An Introductory Survey Gerald Hendrie; 9.`Der Himmel
weiss, wo these Sachen hingekommen sind': Reconstructing the Lost Keyboard
Notebooks of the Young Bach and Handel Robert Hill; 10. Did J. S. Bach
Compose the F minor Prelude and Fugue BWV 534? David Humphreys; 11. In
Search of Bach the Organist Peter Le Hurry and John Butt; 12. Keyboard
Technique and Articulation: Evidence for the Performance Practices of Bach,
Handel and Scarlatti Mark Lindley; 13. Bach and Handel as Teachers of
Thorough Bass Alfred Mann; 14. Tempo and Dynamic Indications in the Bach
Sources: A Review of the Terminology Robert L. Marshall; 15. Bach, Handel,
D. Scarlatti and the Toccata of the Late Baroque Giorgio Pestelli; 16. Does
'Well-Tempered' Mean 'Equal-Tempered'? Rudolf Rasch; 17. The B minor Mass -
Perpetual Touchstone for Bach Research Hans-Joachim Schultze; 18. Remarks
on the Compositions for Organ of Domenico Scarlatti Luigi Ferdinando
Tagliavini; 19. Figurae in the Keyboard Works of Scarlatti, Handel and
Bach: An Introduction Peter Williams.