David Beach, Yosef Goldenberg
Bach to Brahms
Essays on Musical Design and Structure
Herausgeber: Beach, David; Goldenberg, Yosef
David Beach, Yosef Goldenberg
Bach to Brahms
Essays on Musical Design and Structure
Herausgeber: Beach, David; Goldenberg, Yosef
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Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms.
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Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Eastman Studies in Music
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 294
- Erscheinungstermin: 15. Juni 2015
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 612g
- ISBN-13: 9781580465151
- ISBN-10: 1580465153
- Artikelnr.: 43116597
- Eastman Studies in Music
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 294
- Erscheinungstermin: 15. Juni 2015
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 612g
- ISBN-13: 9781580465151
- ISBN-10: 1580465153
- Artikelnr.: 43116597
David Beach, Yosef Goldenberg
Introduction Strolling through a Haydn Divertimento with Two Heinrichs
Ritornelli or Soli: Which Did Mozart Write First in the Opening Movement of
His Violin Concerto K. 207? Outer Form, Inner Form, and Other Musical
Narratives in Beethoven's Opus 14, No. 2 Temporal Poise and Oblique Dynamic
in the First Movement of Beethoven's "Archduke" Trio Chopin as an
Interpreter of Mozart: The Variations Opus 2 and Don Giovanni The First
Movement of Brahms's Fourth Symphony Revisited: A Study of the Fanfare and
the "Cloud of Mystery" "Capricious Play": Veiled Cyclic Relations in
Brahms's Ballades Op. 10 and Fantasies Op. 116 Chopin's Study in
Syncopation A Sharp Practice, A Natural Alternative: The Transition into
the Recapitulation in the First Movement of Beethoven's "Hammerklavier"
Sonata Ernst Oster's Vision of Hidden Repetitions and Motivic Enlargements
in J. S. Bach's Short Keyboard Works The "Pseudo-Einsatz" in Two Handel
Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel Formal
Fusion and Its Effect on Voice-Leading Structure: The First Movement of
Beethoven's Opus 132 Revisited Indistinct Formal Functions and Conflicting
Temporal Processes in the Second Movement of Brahms's Third Symphony The
Interaction of Structure and Design in the Opening Movements of Schubert's
Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929) The
Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A
Schenkerian Hearing List of Contributors Index
Ritornelli or Soli: Which Did Mozart Write First in the Opening Movement of
His Violin Concerto K. 207? Outer Form, Inner Form, and Other Musical
Narratives in Beethoven's Opus 14, No. 2 Temporal Poise and Oblique Dynamic
in the First Movement of Beethoven's "Archduke" Trio Chopin as an
Interpreter of Mozart: The Variations Opus 2 and Don Giovanni The First
Movement of Brahms's Fourth Symphony Revisited: A Study of the Fanfare and
the "Cloud of Mystery" "Capricious Play": Veiled Cyclic Relations in
Brahms's Ballades Op. 10 and Fantasies Op. 116 Chopin's Study in
Syncopation A Sharp Practice, A Natural Alternative: The Transition into
the Recapitulation in the First Movement of Beethoven's "Hammerklavier"
Sonata Ernst Oster's Vision of Hidden Repetitions and Motivic Enlargements
in J. S. Bach's Short Keyboard Works The "Pseudo-Einsatz" in Two Handel
Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel Formal
Fusion and Its Effect on Voice-Leading Structure: The First Movement of
Beethoven's Opus 132 Revisited Indistinct Formal Functions and Conflicting
Temporal Processes in the Second Movement of Brahms's Third Symphony The
Interaction of Structure and Design in the Opening Movements of Schubert's
Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929) The
Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A
Schenkerian Hearing List of Contributors Index
Introduction Strolling through a Haydn Divertimento with Two Heinrichs
Ritornelli or Soli: Which Did Mozart Write First in the Opening Movement of
His Violin Concerto K. 207? Outer Form, Inner Form, and Other Musical
Narratives in Beethoven's Opus 14, No. 2 Temporal Poise and Oblique Dynamic
in the First Movement of Beethoven's "Archduke" Trio Chopin as an
Interpreter of Mozart: The Variations Opus 2 and Don Giovanni The First
Movement of Brahms's Fourth Symphony Revisited: A Study of the Fanfare and
the "Cloud of Mystery" "Capricious Play": Veiled Cyclic Relations in
Brahms's Ballades Op. 10 and Fantasies Op. 116 Chopin's Study in
Syncopation A Sharp Practice, A Natural Alternative: The Transition into
the Recapitulation in the First Movement of Beethoven's "Hammerklavier"
Sonata Ernst Oster's Vision of Hidden Repetitions and Motivic Enlargements
in J. S. Bach's Short Keyboard Works The "Pseudo-Einsatz" in Two Handel
Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel Formal
Fusion and Its Effect on Voice-Leading Structure: The First Movement of
Beethoven's Opus 132 Revisited Indistinct Formal Functions and Conflicting
Temporal Processes in the Second Movement of Brahms's Third Symphony The
Interaction of Structure and Design in the Opening Movements of Schubert's
Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929) The
Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A
Schenkerian Hearing List of Contributors Index
Ritornelli or Soli: Which Did Mozart Write First in the Opening Movement of
His Violin Concerto K. 207? Outer Form, Inner Form, and Other Musical
Narratives in Beethoven's Opus 14, No. 2 Temporal Poise and Oblique Dynamic
in the First Movement of Beethoven's "Archduke" Trio Chopin as an
Interpreter of Mozart: The Variations Opus 2 and Don Giovanni The First
Movement of Brahms's Fourth Symphony Revisited: A Study of the Fanfare and
the "Cloud of Mystery" "Capricious Play": Veiled Cyclic Relations in
Brahms's Ballades Op. 10 and Fantasies Op. 116 Chopin's Study in
Syncopation A Sharp Practice, A Natural Alternative: The Transition into
the Recapitulation in the First Movement of Beethoven's "Hammerklavier"
Sonata Ernst Oster's Vision of Hidden Repetitions and Motivic Enlargements
in J. S. Bach's Short Keyboard Works The "Pseudo-Einsatz" in Two Handel
Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel Formal
Fusion and Its Effect on Voice-Leading Structure: The First Movement of
Beethoven's Opus 132 Revisited Indistinct Formal Functions and Conflicting
Temporal Processes in the Second Movement of Brahms's Third Symphony The
Interaction of Structure and Design in the Opening Movements of Schubert's
Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929) The
Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A
Schenkerian Hearing List of Contributors Index