Yearsley explores the cultural significance of making music with hands and feet, a mode of performance unique to the organ.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Yearsley is the author of Bach and the Meanings of Counterpoint (Cambridge, 2002) as well as numerous essays on European musical culture in the seventeenth and eighteenth centuries; his scholarly work has appeared in the Journal of the American Musicological Society, Music and Letters, Early Music and Eighteenth-Century Music. Active as a performer on organ and other keyboard instruments, his recordings are available on the Loft and Musica Omnia labels. Yearsley has been an Alexander von Humboldt Fellow at the Humboldt-Universität zu Berlin and a Wenner-Gren Foundation Fellow at Göteborgs Universitet, Sweden. A long-time member of the pioneering synthesizer trio Mother Mallard's Portable Masterpiece Company, he is Professor of Music at Cornell University, New York.
Inhaltsangabe
Introduction 1. Inventing the organist's feet 2. Harmonies of the feet, visions of the body 3. Walking towards perfection: pedal solos and cycles 4. The pedal in the cosmopolitan age of travel 5. Treading the globe: the world-wide expansion of the German pedal ideal 6. Bach's feet.
Introduction 1. Inventing the organist's feet 2. Harmonies of the feet, visions of the body 3. Walking towards perfection: pedal solos and cycles 4. The pedal in the cosmopolitan age of travel 5. Treading the globe: the world-wide expansion of the German pedal ideal 6. Bach's feet.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497