Focusing on the work of modernist authors, this volume discusses how time is represented in reverse forms in literature and culture during the first half of the twentieth century and how this became crucial to the formation of a planetary consciousness.
Focusing on the work of modernist authors, this volume discusses how time is represented in reverse forms in literature and culture during the first half of the twentieth century and how this became crucial to the formation of a planetary consciousness.
Paul Giles is Challis Chair of English at the University of Sydney and has taught at the Universities of Nottingham, Cambridge, Oxford, and Portland State. Previously, he served as Director of the Rothermere American Institute at Oxford (2003-2008) and as President of the International American Studies Association (2005-2007).
Inhaltsangabe
Preface Introduction: Antipodean Modernism and the "Retrodiction" Paradox 1: Retrodynamics: 'Back to Front' Fiction 2: Anamorphosis: Bloomsbury's Queer Imperialism 3: Double Exposures: Time-Lapse Poetry 4: Organicist Time: Germanic Modernism and its Discontents 5: What Time Collects: Collective Retrojection in Dark and Farrell 6: Antiphonal Arts: Burlesque, Music and Retrograde Time Conclusion: Modernism's Fifth Continent
Preface Introduction: Antipodean Modernism and the "Retrodiction" Paradox 1: Retrodynamics: 'Back to Front' Fiction 2: Anamorphosis: Bloomsbury's Queer Imperialism 3: Double Exposures: Time-Lapse Poetry 4: Organicist Time: Germanic Modernism and its Discontents 5: What Time Collects: Collective Retrojection in Dark and Farrell 6: Antiphonal Arts: Burlesque, Music and Retrograde Time Conclusion: Modernism's Fifth Continent
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